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A teenager and his mother find themselves besieged by threatening forces when they move into a new house.
A struggling model and a troubled divorcee face loneliness and desperation in Tokyo.
"Open House" is the third live album and second DVD by Brazilian singer Dilsinho, released on August 7, 2020 by the label Sony Music. Recorded in Recife (PE), in December 2019, the DVD is a synthesis of Dilsinho's way of creating his trajectory inside the "pagode music". Currently the most heard male singer in Brazil, he bets on several elements of pop culture, instead of just the traditional aesthetic of the genre. Following the line of pop, Dilsinho bet on partnerships that pass through different segments, from the pagode of Thiaguinho and Atitude 67 to the sertanejo of Henrique & Juliano.
The Barber of Seville is part of Glyndebourne Open House – a weekly series of free operas, available on YouTube. The Barber of Seville is the glittering operatic jewel in Rossini’s musical crown, one of the great comic operas of all time – the greatest of all, according to no less an authority than Verdi. This new philosophy gives us a heroine – the spirited Rosina – quite unlike any other, a young woman absolutely in control of her romantic destiny, whatever the men around her might think. It also helped shape one of opera’s most charismatic heroes – the quick-thinking and even quicker-singing barber Figaro, whose ‘Largo al factotum’ has become one of the best-loved arias in the repertoire.
A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her.
This Spanish-Italian co-production tells the story of a man who feels deep guilt for the death of his wife: he, an alcoholic, is convinced that he accidentally caused her fatal fall in their house while he was drunk. He finds a new wife, but he is unable to cope with his first wife's death. Furthermore, the maid and his sister do not accept the new woman in the household. After a while, bodies begin turn up ... and the grave of the man's first wife is empty!
It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.