Christian, Damian, Jack and Alex are four aspiring actors who will stop at nothing to be the best. In a theatrical production where they are cast as bank robbers, the four actors cannot get a feel of their roles. In desperation they are introduced to a new source of motivation real guns. With guns in hand, each of them begins to acquire a taste of power and in their search for inspiration, reality begins to blur and "method acting" begins to take on an entirely new meaning.

Anna Reringer leaves her husband and goes to San Francisco to fulfill her dream of becoming an actress.

An actor suffers from PTSD after a physically and mentally challenging role.

In Madrid seven candidates report for a job interview that uses "the Grönholm method" of selection, as protestors rise up in public protest in the street over the IMF-World Bank Summit attempting globalisation of workers' unions.

Jason wants to be taken more seriously as an actor, so he asks his friend Kevin Smith for advice, and decides to become a method actor. Trouble is, being a method actor drives him mad and he slowly becomes a serial killer.

It will surprise few to discover that star of stage and screen Jerry Lewis has sought to amuse others since he was five years old. Since that early age, audiences split their sides watching his wacky antics, whilst wannabe comics aspired to his prolific career, from his solo work to his double act with Dean Martin. Indeed, many of his famous fans share stories of affection and admiration for the now 86-year-old performer and filmmaker in Gregg Barson’s documentary. Steven Spielberg, Quentin Tarantino, Eddie Murphy and Jerry Seinfeld are among those waxing lyrical about Lewis’ particular brand of genius, and his place in the annals of history. Including a cavalcade of hilarious clips from eight decades in the spotlight, Method to the Madness of Jerry Lewis examines the icon and his influence, and is essential viewing for aficionados of the man and his legacy.

Shy corporate employee Jorge Rizzi's life takes an uproarious turn when he participates in a hypnosis session that rips off his inhibitions and releases a hilarious alter ego.

The series follows Cyril and Methodius, two Byzantine Greek brothers born in the 9th century. They became missionaries of Christianity and influenced the cultural development of the Great Moravian territory.

Successful architect ignored by the status quo, indefatigable polemist, old-school bon vivant and holy heretic in the Castro Cuba. Many lives fit in Rodolfo Livingston's, as this portrait of who seems to have been there, has always been ready for the camera.

Documentary on the Dutch filmmaker Dick Maas.

The Method shows and reveals the knowledge and tools used by great documentary filmmakers on the challenge of representing the reality.

Upcoming adaptation of the Stephen King novella of the same name.

Set in the early 1900s, this film charts the rule of a Latin American dictator as he moves from being a charming despot to a tyrannical ruler before he is finally ousted, only to die in obscurity in Paris. Early in his regime, the resources and agricultural products his country sells command high prices, and he is a reasonably confident, even gentle, ruler who likes to take long vacations with his daughter in Paris. After World War I, with falling prices and a number of coup attempts behind him, his rule becomes quite cruel.

Mentxu and Lourdes Arrieta cannot speak. They cannot control their muscles. Two sisters born with a congenital disorder, labeled "ill" or "lost" even by those who loved them, with no way to communicate, created a unique language for themselves.

Hungarian composer Zoltán Kodály believed that music could be taught to children as readily as reading. The method he developed uses a child's own natural instrument, the voice. Beginning with simple musical intervals, the child progresses from folk tunes and children's songs to the complex notes and rhythms of composed music--from Bye baby bunting to Bach. [The film] is a look at the Kodály method of music training in public elementary schools in San Jose, California, and West Hartford, Connecticut. Ordinary children are shown in the film, but they exhibit extraordinary self-confidence, discipline, concentration, and an eagerness to learn. There is no such thing as failure in a Kodály classroom; in fact, the children are able to correct their mistakes themselves. Moreover, the children will bring much of 'how' they learn in their music lessons--counting and problem-solving, left-to-right progression, following directions--to their study of reading, writing and arithmetic.

Alice Ball, a 23 year-old African American Chemist living in 1915 Hawaii fights against racial and gender barriers to find an effective treatment for leprosy before Kalani, a 10-year-old patient is exiled into the leper colony of Molokai.

On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.

David Cork (Lachlan Woods) is a lowly data processor slaving away in the cubicle wasteland of Endo Bank's notorious Data Processing Centre, the DPC. But his real passion is manga. David is obsessed with the superhero Foxy Chaos - and he aspires to meet her creator, Takuya Fujimoro. David's manga dreams are shattered when a sinister Russian HR guru arrives at the DPC. Max Menkoff (Noah Taylor) has big plans and no worker is safe from his "method". Murder, chaos and office zombies take hold! Only David, in alliance with the brilliant and determined Ruby Jackson (Jessica Clarke), can stand in Menkoff's way. But what is the Menkoff Method? And what does it mean for David Cork?

Allan Menezes' four-part video series on the Pilates method, to reduce back pain, strengthen abdominals, stretch the hamstrings and lower back, mobilize tight joints, improve shallow breathing, and improve posture.

‘The Italian Method’ uses a diptych of two screens to stage the confrontation of a ‘place’ and a ‘non-place’ (both visual and metaphorical) while creating tensions between the representation of reality versus fiction by blurring the separation between ‘person’ versus ‘Character’. The title is referring to the sound recording technique largely adopted by the post-war Italian cinema to cut costs with actors having to re-record the dialogues afterwards in a studio. A similar technique was used here, but the sound was recorded from the image on the right (library) and the actor had to lip-synch to the monologue on the spot in the image on the left (void).