When each member of Pink Dolls falls into a horrible accident, Eun-ju realizes that their hit song "White" is cursed and attempts to reveal the secret.

In the space of a short 65 minutes, a woman enters the luxury apartment of a wealthy man with an eccentric fascination for the female form and is paid both for her sexual favors and for lying there naked and letting him examine the aesthetics of her body. For most of the hour, as the concise narration of Marguerite Duras' novel on eroticism and aesthetics fills the aural gaps, actress Marie Colbin's form fills the visual gaps. But unless viewers consider the feminine eyeball or microscopic views of skin exotic and worth lingering over, the eroticism lies more in the imagination than on the screen. In fact, the female body lying on the bed, taken away from the spirit that animates it, is really just a corpse -- raising the question, exactly what is the "malady of death?"

The Malady of Death is an adaptation of Marguerite Duras's story of the same name: her text comprises the voiceover, which is a particular reading of the story in which word and image, in a complex interplay, explore male sexuality.

Five African Colombian women sing about the life and death of their peoples through traditional music and dirges. Tracing a musical journey, the singers show us how to respond to violence with art and creation. Musical Memories Of Life And Death In Colombia The word Cantadora comes from traditional Colombian music influenced by African roots and refers to the women that compose and sing their songs while going through their daily chores. "Cantadoras" provides a portrait of rural life in Colombia in its Caribbean and Pacific regions through the words and songs of the resilient Afro-Colombian singers that farm there. These resilient women speak of memories of violence at the hands of paramilitaries, and the power of song to build strength and give voice to dignity and creativity.

Alla Horska was a Ukrainian artist of the 1960s, monumentalist painter, one of the first representatives of the underground art movement, dissident, and human rights activist of the Sixtiers movement in Ukraine. She was murdered in 1970 while under surveillance by the KGB.

Hsiao Hu has been secretly training in martial arts, as his father (Tien Feng) has forbidden him. Later, some local store owners ask Ah to help protect them from a greedy Chinese extortion ring. Ah discovers that the crime lord behind the extortion had killed his father years before and is determined for revenge.