A dramatic retelling of the last weeks in the life of poet Edgar Allan Poe with theories about the cause of his mental breakdown and premature death in 1849 Baltimore

On July 25, 1980, the great Russian poet Vladimir Vysotsky died. He was 42 years old. He did not die in a duel like Pushkin and Lermontov, did not fall from a bullet and a noose like Mayakovsky and Yesenin. The cause of his death was no less dramatic. Vysotsky struggled with death for a long time. But by the beginning of 1980, this duel turned into a fierce fight. After 25 years, we present the first documentary evidence of this struggle. Everyone has the right to their own judgment about the death of a great poet, but no one's judgment can claim absolute truth. According to eyewitnesses, after the meeting of the new 1980, Vysotsky's disease began to progress and turned into a real agony. We will reconstruct the events with chronological accuracy from January 1 up to July 25, 1980. In our film, people who knew Vysotsky intimately in the last year of his life tell us.

A drama documentary of the life and death of the poet Dylan Thomas, who died in New York 25 years ago at age 39. Alcohol and a doctor's injection of morphine were the immediate causes. Ever since his childhood in Wales his life was a spectacular attempt - comic at times, serious below the surface, tragic at the finish - to survive on his own bizarre terms as the poet to end all poets. By the 1950s, that first postwar decade of uneasiness and change, Dylan Thomas was a legend to his admirers but a burnt-out case to himself. As he tours America to read poetry to rapt audiences, his past crowds in on him, the fractured memories of a man at the end of his tether.

There are no stars to be seen in the night sky over Dhaka city. Pollution blocks our conversations with the stars. Poet Abid Haider is a lover of nature and he is deeply hurt by this catastrophe. His ideal is an unpolluted atmosphere. He yearns to revel in the sight of night skies twinkling with stars. It is his birthright, also the birthright of the generations to come. This is what he believes. Firm in this belief, he refuses to give up his claim to Earth even after death. Because the poet thinks that the human footprint upon Earth, the fruit of all our efforts is deathless, flowing perennially. Death might terminate one branch of thought but it cannot obliterate human endeavor. The enterprise that is life continues.

A delicate, poetic cinematic work, consisting of two parallel axes. Lenny Sadeh is a Tel Aviv based scholar who passes through the last day of her life. Yasmin Nasser, an Arab nurse who lives in Jaffa, is interrogated by the police. The worlds of these two women meet for a critical moment and bound together inseparably.

This film is about a psychological journey of a woman named Rubi; once she loved her husband devotedly but the feeling is long gone. Sitting beside her husband’s dead body, she doesn’t feel any grief or any other emotion whatsoever. She remembers her life with this man, and discovers that her once beloved husband died to her long before his actual demise.

On 19 July 1965, the South-African poet Ingrid Jonker walked into the sea near Drieankerbaai in Cape Town at the age of 31. She left behind a little daughter and an oeuvre of three laurelled collections of poems. Jonker's work fell into oblivion, until on 25 May 1994 president Nelson Mandela opened the very first session of the first democratically elected parliament of South Africa with Jonker's poem Die kind wat dood geskiet is deur soldate by Nyanga, a poem from 1960 that refers to the demonstrations near Sharpeville. Mandela chose the poem for good reason; he called Jonker 'both an African and an Afrikaner'. A white person in South Africa cannot get a bigger compliment. In the documentary Korreltjie niks is my dood, director Saskia van Schaik reconstructs the poet's eventful life, making her powerful poetry with its South-African rhythm tell part of the story. (filmcommission.nl)

With a deadly plague ravaging his Renaissance kingdom, Prince Prospero invites his friends to retire to the protection of his castle for ongoing revels, leaving the peasantry to die. But fate is not so easily escaped by the debauched nobility.