After his mother’s sudden death, a young boy disappears into the deep woods of upstate New York and takes up with an unpredictable and mysterious drifter.

In the forties, in a little settlement lost amidst the mountains of Trás-os-Montes, Leonardo tries to survive by buying and selling marten and fox furs, dreaming of the day he’ll close a big deal.

'Cold Lands' makes a personal journey through the images and cinema, guided by filmmakers and artist like, Theo Angelopoulos, Bego Vicario, Wim Wenders or Rut Hillarp among others. In this non-fictional road-movie their vision of what cinema is, of what is hidden behind the images, intersects with the world of beekeeping, architecture and the human landscape.

A young Frenchman of Arab descent, Djamel, becomes convinced that his long-lost father is a rich factory owner in Grenoble. When the man coldly rejects him, Djamel plots a revenge that will implicate the man's closeted gay son.

When cars start to explode, which can lead to a serious oil crisis, Tintin and his friends travel to the Middle East to get to the bottom of the problem.

In a late 19th-century Estonian village, farmer Jaan struggles. He works for Andres but can't provide enough. Jaan falls for Andres' daughter, Anni, who helps. Desperate, Jaan turns to theft, gets caught, and is sent to Siberia with Anni.

A documentary directed by Marianne Ahrne, based on the French writer Simone de Beauvoir's Essay of the Age. The film discusses whether older people are really treated as human beings or not

A group of residents of a small Armenian town in the 20s, whose destiny reflects the history of the people like a drop in water.

Young woman is taken to the faitytale kingdom where gold coins are made.

First of three versions of Transformation by Holding Time, films with the duration of one film reel in which the screen is gradually filled with Polaroids, made in one shot from one angle, without editing. In this version, the film camera registers the filmmaker who is on a moor taking Polaroid pictures of the film camera.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

Robertas Verba’s first documentary film, described by film critic Živile Pipinyte as “the ‘ice-breaker’ which broke through the ice of Soviet ideology to form the peculiar stylistics of Lithuanian documentary film.” The hero of this film is the bright Lithuanian villager Anupras, whose archaic worldview becomes a symbol of the ethno-cultural Lithuanian identity that was often opposed to the identity constructed by Soviet propaganda.