Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.

The exploits of Judy, Joey and Josh and a chimpanzee called Alice.

Revenuers have been chasing a gang of bootleggers for years. They're hot on the trail near a gas station operated by Harry, a seemingly slow witted fellow with a cheery and spunky girlfriend. A shootout between treasury agents and the gang - they transport the hooch in manikins seated in a touring car - takes place in front of Harry's filling station. While Harry's gal stays outside, Harry carries the liquor-filled dummies into the station. Will there be a reward for the heroics of Harry and his honey?

A satirical express train sets off on its way. The driver S. Mikhalkov gives a farewell beep ... On the first carriage an inscription - "Summer cottage". The following are 8 short stories ...

The story is about a pair of old romantic socks who dreamed of flying like birds. Socks were thrown out of the window when life became unbearable, and went wandering the streets. Fate scattered them to different parts of the Big City, and they turned into ragged, unnecessary rags. The socks sought refuge, and finally met in their native entrance.

"My first film, shot at art school on a crappy Super 8 camera I bought from the market. At the time I was obsessed with Universal Studios horror films, and Dreyer’s Vampyr, and I had just discovered three films by George Kuchar, and Alain Resnais. So it’s a mix of those, sort of. It was shot over many months, as I had to coerce my friends to give me their time, especially the lead, who required many hours of make-up before he killed my friends. It’s a play on Jekyll and Hyde, though how clear this is to the viewer I’m pretty uncertain.” - Ben Rivers

Makiko, a college student, has a younger sister, Yumi, who works at a snack bar. Yumi, who lives a free-spirited life, often stays at Makiko's apartment, and when she gets drunk, she causes financial trouble. One day, on the way home from a party, Makiko and her friend went to a restaurant where Yumi was, and they got extremely drunk and fell asleep. Yukio, a regular customer sent by her, tried to take off her clothes and put her on the bed, but when he saw her naked big breasts, he got horny and raped her roughly. The relationship between the two continued, but in reality, Yumi also had a relationship with Yukio. Makiko, the owner of the girlfriend's big breasts, is subject to Yumi's cruel revenge...

Saul Levine spent six years (from 1967-1973) cutting up and re-editing 8mm prints of two Charlie Chaplin shorts, IN THE PARK and EASY STREET, into a dynamic yet dreamy deconstruction of physical and narrative movement. What begins with Chaplin looping around in circular repetitions between a cop and an ominous vagrant becomes more fractured as the film expands. News footage of police arresting protesters (shot from a television screen on black-and-white 8mm film) is cut into the comedy of cops and criminals (a shot of political reality amidst slapstick fantasy) and images are abstracted by rapid-fire cutting. Even the physical cuts on the celluloid become part of the image as Levine chops through the frames themselves, leaving broad gashes on the screen and fracturing images until they overlap with the next shot and the suggestions of narrative are whirled into a frenzy of motion.

A comedy about six young guys in a small town in Scotland, trying to have a quiet lads night in. Unfortunately, small-time gangsters, hooligans, jilted lovers, drug dealers and pissed off parents are getting in the way. The film follows the six guys as they try to make it through the night in one piece and get out of the trouble that they've all landed themselves in.

During World War II Stan and Ollie find themselves as improbable bodyguards to an eccentric inventor and his strategically important new bomb.

Brian is a television writer-producer who has to script a 22-episode anthology, but lacks inspiration. He witnesses a strange romantic encounter between two figures on the balcony of hotel near his flat and decides to write scripts with his writer friends based on what he saw.

No overview found. Waitress Doris meets a stranger on a train to Leipzig. This well-dressed thirty-something man decides to follow her, as they are drawn to each other, but neither seem prepared to admit to their loneliness.