Sound and image captured by the Merry Pranksters in late 1965 and early 1966: the bus on the road, the Grateful Dead playing an Acid Test, Kool-Aid ritual, etc.

George Shelton asks Tom Howard to help him impress his girl as a he-man. Howard is to insult him, and then Shelton comes up and punches out Howard. The gag works, so Howard tries to use the same gag, recruiting Donald MacBride as his foil.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

ACID TEST explores “the other carbon problem” – the startling phenomenon of ocean acidification, which could challenge the health of the ocean ecosystem on a scale that has not occurred for tens of millions of years.

The Electric Acid Surfboard Test is an exploration of alternative surfboard design, and a radical and open-minded addition to Stab Magazine's blind taste test of the world's best surfboards, Stab in The Dark. Featuring the world's most talented and high profile surfers, riding the most iconic, left-field, under-appreciated, and disruptive designs of the Alternative Age, The Electric Acid Surfboard Test is an acid-splash hit to the tongue of the surfboard status quo.