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October 15, 1999

A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.

The year is 1943 and Taiwan is under Japanese colonization. After finishing his studies in Japan, famous Taiwanese sculptor and painter Ching-Cheng Huang receives an offer to teach in Beiping Art School. He decides to visit friends and family back home before leaving for China. He boards the passenger liner "Takachiho Maru" in Kobe, Japan, with his girlfriend, a pianist. Tragically, the luxurious liner is torpedoed by an American submarine and sinks off the coast of Keelung, Taiwan. Decades later, Shou-shou, a fine art restorer with a crippling illness, finds one of Huang's paintings in an exhibition. As she restores the painting, Shou-shou learns about the artist, the stories behind his work and his death at sea. She recreates the story of the painting "Woman in Black", and romantically imagines the ways the artist painted his girlfriend. The more she studies, the more she was inspired by Huang's value of art and of life. Restoring Huang's painting thus becomes Shou-shou's way of ...

December 21, 2006

This film is about an upside down world, where being homosexual is considered "normal" and heterosexual is considered "not normal".

Nine Icelandic gay teens tell us about their lives in their frozen corner of the world. Feeling excluded, experimenting with drugs and sex, finding others like themselves, self hatred, thoughts of suicide, coming out to parents. These honest interviews show us that no matter where they are in the world many aspects of being gay are universal.

November 12, 2021

In A Straight Story, a train journey between Poznań and Lublin, in Poland, becomes an intimate and cinematic photo-filmic essay.

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