Seven high-school friends begin their Euro-trip at the actual castle of Vlad the Impaler where he supposedly sold his soul to the devil over 500 years earlier, but the decrepit castle's past envelopes them in a bloody ritual.

The true story of 7 oddly dressed fearless men of ottoman army fight against cruel Vlad.

Vlad Tepes, otherwise known as Vlad the Impaler and Dracula, fights the Ottoman Turks on the battlefield and the Hungarian Boyars in his court.

Due to a botched robbery attempt, a ruthless Romanian barbarian is somehow resurrected in modern day New York and begins wreaking havoc on a small Manhattan art-house. Chaos ensues as the patrons of the establishment band together to fight for their lives. (IMDb)

Alan Kolovsky is pursued in a manhunt between bikers, hitmen and Russian spies that leads us into a bloodthirsty revenge where car chases meet endless shootings and torture. The man is desperate to save his own skin and no one can stop him.

Romanian film version of Vlad the Impaler, aka Dracula

A Kuwaiti play taken from the tales of One Thousand and One Nights, where it is rumored that at a time when there was a ruler who chose his assistants from incompetent men, they undertook looting, cruelty, and injustice to preserve their positions, so they began to fabricate the charges of the innocent, imprison them and form dangerous centers of power within the state, and the sultan over Unaware of what is going on around him, the play clarifies the real reality that we live in at the present time and because of the corruption that some Arab regimes suffer from corruption practiced by the people chosen by the ruler as assistants who are not qualified to do so.

Dracula: A Biography of Vlad Impaler: Radu Florescu: 9780801522208: Books ... As the title implies, there is an open-biased against the historical Prince Vlad III Dracula. ... would anyone have dared to call him Vlad Tepes to his face during his lifetime. .... An interesting book and a very rare one as well. ... Get to Know Us.

It is the typical stance of this generation, with its sensitivity and impulse, to try to blur the boundaries of all existing criteria and truths, to turn seemingly rationality into absurdity, and to mock at the given reality and the "legal" matters: either the systemor those who drag on with their lives under the system. I owe my courage to the restless adolescence that compels me to tear away any existing rules which block the way to our inner reality. Imbalance is an experience naked to us, an experience that might not be popular among Chinese college student today. It restricts us, transforms us, and forces us to expand and to change. It is the formula of a chain of events, the decease of adolescence, the edge of personal relationship, and the intermedium between bliss and despair.

After telling her fiancé, Dana, that her entire family is dead, Manhattanite Alex whisks off to her childhood home in South Carolina to serve as bridesmaid at her high-maintenance, estranged sister Jeannie's wedding. As she tries not to steal Jeannie's thunder by telling her family that a) she's engaged, and b) the man she's going to marry is a Jewish African American, things get a little mixed up.

Being one of the most significant, contemporary painters, Albert Oehlen’s approach is complete refusal of the common art circus. In its own way the Film reflects this very stance. Likewise, it questions the purpose of obsolete thinking patterns created by white straight male artists of a certain age that have dominated the art world for centuries.

The painter Otto Dix (1891-1969) dissected and exposed his time like no other. The portraits from the world of the milieu of whores and suitors, of sexual violence, were a taboo break. His brutal depiction of war shook society - he was a ruthless chronicler of his day. In contrast, private life with his wife and children shows the gentle side of the provocative painter. Nicola Graef's film "Otto Dix - The Ruthless Painter" is dedicated to this interplay of life and work. Like few other artists, Dix used his personal experiences and experiences as the basis for his work.

Picassos early years in Paris were characterized by poverty, yet wild parties with artist-friends were common. His life –so full of adventures with women- ends in the staid happiness of an ageing couple.

In this film, Dammbeck explores his own decision to relocate to Hamburg, West Germany, and tries to sort out his past as an artist. In the process, he interviews artists Cornelia Schleime, Hans-Hendrik Grimmling, and Hans Scheib, who had been core members of the alternative art scene in East Germany. They had all worked together in the 8mm scene and organized or planned multimedia and crossover exhibitions, including Tangents I in 1976-77 and the First Leipzig Autumn Salon in 1984. Each left for West Germany in the mid-1980s. What has become of their former artistic strategies and positions? How do they deal with their past? What is the force behind their art now? And how do they cope with the western art market?

German realist painter Rolf Kuhlmann is known for his complex, multilayered figures in compositions which evoke the world of dreams. In this remarkable documentary, director Claudia Schmid spends a year following the artist as he visits German forests, and ancient archeological sites and refugee camps in Greece. The Endless Moment documents the extraordinary creation of ambitious, large-scale double triptych paintings—from life studies to tactile three-dimensional objects—as the camera captures moments of conception, rumination, execution, and revision.

The Danish painter Oluf Høst (1884-1966) talks about his work, about Bornholm, and about himself.

Documentary about the work and the unconventional approach of the painter Karel Appel. The film shows him flinging vast amounts of paint onto the canvas, resulting in dynamic paintings showing an overful, raging, run-away world. In 1962 awarded with a Golden Bear at the Berlinale. (filmcommission.nl)

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Henri Rousseau started to paint in Paris around 1880, at the age of 40. This self-taught artist was friendly with the poet Apollinaire, Robert Delaunay and Pablo Picasso, who recognized his genius, and yet his work was to remain underrated during his lifetime. However, with its dislocated compositions and profoundly dreamlike subject matter, it was to have a decisive influence on modern art, from surrealism to abstract art.