Self-taught magician, transformist at the Grande Eugène cabaret, man of theater, television and cinema, Jean-Claude D. Dreyfus has been dragging his inimitable drawl wherever he wants. Able to play the Diva for Michel Audiard as well as for Werner Herzog. Loubard one day for Gilles Béhat and Duke of Orleans the next day for Rohmer. We often met him with Mocky or Boisset, more mysteriously with Tommy Chong and remains permanently anchored in our memories thanks to his performance in Delicatessen or Marie's ads, depending on the genre. Jean-Claude D. Dreyfus is one of those marginal people, adventurers a bit crazy, often poet and above all a bon vivant, in short, a species on the way to extinction. The directors wanted to meet the character and remember this extravagant little life.

It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.