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September 5, 1931

The setting is a city block during a sweltering summer, where the residents serve as representatives of the not-very-idealized American melting pot. There is idle chitchat, gossip, jealousy, racism, adultery, and suddenly but not unexpectedly, a murder.

January 1, 1981

A comedic short using existing footage of a building demolition. A voice over is used to make it seem as if a film director is shouting instructions to actors and technicians, finally giving the order to destroy the building.

February 28, 2019

The main plot of this rampant collection of scenes from the streets of the lower East Side of New York revolves around Frank and Anna Maurrant and their daughter Rose. A violent and tough character, Frank fails to see his wife’s growing despair due to his lack of affection. When he discovers her with her lover, he shots them both and goes to jail, leaving behind a heartbroken Rose who, after having experienced relentless harassment by two aggressive suitors, misses her one true chance at love. The opera ends by showing the streets of New York City moving on from these mundane events in total indifference.

September 14, 1970

In the late spring of 1970, nationwide protests against the war in Vietnam focused in the Wall Street area of New York City and ultimately in a major anti-war demonstration in Washington, D.C.. A group of New York University film students documented the demonstrations as they happened in both cities. Later, in New York, the massive amount of black and white and color 16mm footage was edited into this important record of the day-by-day events. The extended final scene, shot by Edward Summer in a hotel room in Washington, D.C., is a spontaneous conversation among Martin Scorsese, Harvey Keitel, Jay Cocks and Verna Bloom who, along with a large group of NYU students, found themselves frustrated and perplexed by the events and hopeful that the protests would result in change.

January 1, 1993

The opera takes place on the doorstep of a tenement on the East Side of Manhattan on two brutally hot days in 1946. The story focuses on two plotlines: the romance between Rose Maurrant and her neighbor Sam Kaplan; and on the extramarital affair of Rose's mother, Anna, which is eventually discovered by Rose's irritable father, Frank. The show portrays the ordinary romances, squabbles and gossips of the neighbors, as the mounting tensions involving the Maurrant family eventually build into a tragedy of epic proportions. Broadcast on BBC Two on New Years Day, 1993, this production was performed by the English National Opera and conducted by James Holmes.

January 1, 2002

Street Scene is a Broadway musical or, more precisely, an "American opera" by Kurt Weill (music), Langston Hughes (lyrics), and Elmer Rice (book). It was based on the Pulitzer Prize-winning play of the same name by Rice. For his work on Street Scene, Weill received the first Tony Award for Best Original Score. In Germany, in the late 1920s and early 1930s, Weill had already begun to use American jazz and popular song elements in his operas. After fleeing from Germany in 1933, he worked in Paris, then England, and then, beginning in 1935, in New York. Weill made a study of American popular and stage music and worked to further adapt his music to new American styles in his writing for Broadway, film and radio. He strove to find a new way of creating an American opera that would be both commercially and artistically successful.

March 28, 2017

Animation created from early paper films.

An actuality which chronicles how a load of ore becomes a finished steel product at a Bessemer plant. Deep red tints and red-hot pops of hand-coloring give the film an ominous glow.

February 12, 1898

"A double-decked trolley car, crowded with passengers, approaches and passes the camera. Carriages, pedestrians and bicyclists add to the action of the scene."

January 1, 1888

Lost film from 1888, directed by William Friese-Greene.

January 1, 1896

Film produced by William K. Dickson’s British Mutoscope and Biograph Company.

January 1, 1901

Shot at the intersection of Holy Corner in Liverpool, this street is a hive of people and traffic. Arguably during the first part of this century most trade was being conducted on the streets. When this was being filmed Liverpool had become a wealthy city, and the shop fronts are filled with items for sale.

A rare glimpse of early Edwardian Manchester when the horse-drawn tram still reigned supreme.

January 1, 1903

London street scenes, showing varieties of horse-drawn traffic. Views of Parliament Square, Charing Cross, Pall Mall, the Royal Exchange and others.

Film of Stockholm, Sweden in 1913. Set to a natural rate and added sound for ambiance.

Part of Clovis Salmon's archives of Super 8 films capturing Brixton from the 1960s to 1980s, including church and community events, activism, local struggles and the aftermath of the 1981 Brixton Riots.

Leonard Corrick’s camera moves up and down the streets of Perth recording the action on the street. At one point a man bumps into another man in the street and fisticuffs ensue as the camera moves past.

A short film by the renowned painter Edvard Munch which is currently viewable at the Munch museum in Oslo. The film depicts several street scenes from both Oslo and Dresden and is of an experimental nature.

Silent film footage from late Qing dynasty China, depicting everyday scenes.

February 2, 1935

From the arrival of a new viceroy to street markets, this amateur film captures the diversity of life in colonial India.

Screen Scene is a half hour, prime-time, urban entertainment and celebrity news magazine series on BET highlighting on the works of African-Americans in Hollywood and abroad. The series premiered on October 15, 1990 and ran thru 1997. Each episode was presented in themed segments:

• “Behind the Scenes”: upcoming movies with primarily African-American casts were profiled with interviews of actors / directors / creators, and plot teasers;

• “Network Scene”: actors from television programs were interviewed about the development of their characters;

• “Beyond The Screen”: theatrical plays produced by African-Americans were featured;

• “Entertainment News Review”: several newsworthy stories were covered by an in-studio reporter;

Melvin Lindsey and Suzette Charles were the original anchors, but the most well-known hosts of the series were Angela Stribling and Harold McCoo. Other anchors / reporters included Mary Major, Kathy Andrews, Paula Bond, Cathy Lee, Danita Harris, Angelique Perrin, Melvin Lindsey and Atlanta, Georgia, correspondent Sharon Crews. The program producer was Lyle D. Mason

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