An unknown author of Chunhyangjeon and called “Yagokbisa”. Writer Chun Sa-Wol, who has become a hot topic in Jang-an by writing a love story. Falls in love with Baekga, a mysterious man who insists on free dating. One day, the female exorcist Dalgi and the Amhaengeo teacher Inan. They come to the spring and summer months for the purpose of not knowing the reason, Noh Daegam devises a scheme to control the body and mind of Chun-Sa-Wol.

A young Parisian advertising executive becomes so captivated by the unsettling charm of his mysterious new employer that he eventually abandons his family and friends, viewing it a privilege to let the ubiquitous employer take over his home, his life, his desire. Only his wife remains suspicious, recognizing both the pathos and the evil in the man’s soul-stealing power.

When her older sister disappears, she meets the man she left behind every night. When her parents don't come home from work, they sit in the kitchen and have an idle conversation. The man asks her to eat a clam. A woman mumbles, "I have sand all over me", and scours the kitchen floor like a mollusk. The man wipes the woman's neck when she asks him to wipe off the sand. The camera lingers on the faces of the two men and the rummaging in the sink as they mutter idle conversations about sand. This is a dense cinematic space, where the hot, rough texture of the sand makes your whole body tingle. The coquettishness of the woman's hair, her neck, her lips, her tongue, her gestures and her voice, captured by the gazing camera, is an intense eroticism. This is a work of high perfection in which the artist's unique world of sensuality is penetrated.

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.

A story of an illicit affair between a young, talented and successful violinist and a popular singer.

Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.