Rose spends her days fishing near the beautiful lake house she’s called home for 50 years. She’s not getting any younger and her daughter Patti worries about Rose being all alone, but the stubborn matriarch will not sell. There are memories here that she doesn’t want to leave. These come flooding back one weekend during a visit from Patti and granddaughter Allison, when a long-forgotten roll of film reminds Rose of the summer she met and fell in love with the bold and beautiful Louise.

An aging hippy and a beautiful young woman meet in Amsterdam and find love.

A man watches his grandmother's photography slides and reflects on the images.

Seven love story vignettes, capturing different moments in couple's relationships. Ranging from first kiss to breaking up, the film unfolds over the course of one day, moving around the neighborhoods of New York City.

Snapshots tells three unique stories through the voyeuristic lens of a photo booth camera. Although their circumstances and motivations are very different, each character shares a desperation that’s led them to their booth: a heartbroken transvestite driven to conforming to societal expectations; two young people compelled to risk everything in the hope of a better life; and a lonesome cleaner who goes to extraordinary lengths to attract the attention he so desperately craves. With the help of the camera each character uses deception in pursuit of happiness, demonstrating that appearances are not always as they seem.

This experimental film, a self-described mix of reality and fiction shot in Greenwich Village and a Vermont commune, captures past and present moments from the life of Mel Howard, the film’s co-writer & co-narrator. Scenes chronicling Howard’s doomed romance with Scandinavian girl friend Turid Aarsted are interwoven with scenes detailing Howard’s relationship with his parents and with a former girl friend, as well as his failed attempts at moviemaking. One sequence depicts Aarsted leaving the thirty-seven-year-old Howard for the film’s cameraman, Paul Goldsmith, and includes a sex scene between the new lovers. In off-screen commentary, producer Kenneth E. Schwartz expresses concern about the film’s content. He reveals that he raised $50,000 for the project, complains to the viewer that the film was not supposed to be a “diary of freaky people.” Eventually he and Howard come to terms about the film’s direction and allow the film’s story to unfold unobstructed.

Comedic portrait of middle-aged women in Rio de Janeiro, including overworked housewife Magali and her over-the-top twin sister Magda, psychoanalyst Paula and her troublesome daughter Melanie, and stage star in crisis Lise.

Documentary depicting Mexican society, in honor of the 1968 Olympic Games in Mexico City. With a prologue by José Revueltas.

Chile 1985, the repression of the Chilean people by the dictatorship and the resistance, accompanied by the music of the exiled composer Angel Parra.

Evandro Teixeira is one of the leading names in world photojournalism, with a career spanning more than 37 years in the Brazilian press. Baiano from Jequié, chose Rio de Janeiro to settle down and it was in Jornal do Brasil that he spent most of his career. In addition to an untiring photographic reporter, he also traveled to Brazil to search for images of Brazilians and recorded important events in the history of Brazil and the world, in coverage of national and international events.

Time passes by quickly for a young, small family: soon it will no longer be that small, the children grow up, the parents get older, and this reality in constant motion, erased and diffused, sometimes stops itself in front of the camera.

Pola Negri, Bebe Daniels, Mitzi Green, Polly Moran, Mack Sennett and Marjorie Beebe are seen relaxing at Palm Springs, a California winter resort; Barbara Stanwyck and Ricardo Cortez play golf; other celebrities are shown in Malibu Beach.

Ralph Staub visits Hollywood's annual "Out of This World" charity-baseball game between two celebrity baseball teams.

Viewers are provided a visit to Ken Maynard's private circus; Bette Davis poses for her portrait; Frank McHugh plays with his children; a visit to the West Side Tennis Club affords glimpses of many stars.

The edition of Screen Snapshots celebrates 25 years of production. It looks at the content of edition #1, then a tribute to movie people who have died in those 25 years. Finally there are tributes to the Screen Snapshots series by Cecil De Mille, Walt Disney, Louella Parsons and Rosalind Russell.

Mickey Rooney, plugging his latest Columbia film, stops by Ralph Staub's editing room and film vault, and the two of them watch clips from Rooney's films, dating back as far as the Mickey McGuire comedies.

Ice skating is the theme; at the Tropical Ice Garden, in Westwood Hills, are seen a flock of skating stars including Irene Dare and Phyllis Ann Thomoson, as well as Hollywood luminaries such as Franklyn Pangborn, Norma Shearer, Rita Hayworth, Mickey Rooney, Dick Purcell and Ann Sheridan.

Actors are seen in their new roles as military men during WWII: Robert Stack displaying his remarkable skill as an artillery training officer; Tyrone Power as a Marine drill instructor; Rudy Vallee leading a military band; and Glenn Ford in the everyday grind of a Marine private.

A visit to Buck Jones's new ranch and his horse, Silver, to James Gleason and his dog, to Charles Ruggles and his kennels; on the set of 'You Can't Take it With You', director Frank Capra and stars James Stewart and Jean Arthur celebrate Lionel Barrymore's sixtieth birthday; a ski meet is held at the Los Angeles Coliseum.

A photojournalist bears witness to a murder and takes photos of the incident, only to find himself involved in the crime. When he becomes a suspect, it's up to him to prove his innocence.