John Carteret has long been depressed and lonely, because, at his wedding years ago, his bride, Moonyean, was murdered. He accepts into his house Kathleen, the 5 year old orphaned niece of Moonyean, and she quickly grows up to look just like her aunt. Kathleen meets and falls in love with a mysterious stranger from America, Kenneth Wayne. When John hears of this he is furious, and we learn that it was Kenneth's father, Jeremy, who had killed Moonyean years before. John carries his grudge against Jeremy to the new generation, and threatens to ruin his niece's happiness, but he softens in the end.

Экранизация пьесы Джейн Коул и Джейн Мерфин. Джон живет один в течение 30 лет после смерти своей невесты Мунин. Однако его близкий друг Оуэн убеждает Джона позаботиться о своей племяннице Катлин, чьи родители пропали в море. Катлин на тот момент всего пять лет, однако время идет, она становится молодой девушкой, которая удивительно похожа на Мунин...

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

'Smiling Through the Apocalypse' chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine's most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father's editorial greatness 23 years after his passing.

Over the course of his long career, Boris Efimov drew political cartoons about pretty much every important world event. He spent his entire career at periodicals and newspapers such as Pravda, meaning that for many years he drew under the most exacting, watchful eye of Stalin. In this film made just before his death in 2008 at the age of 108, Efimov explains in one of the many conversations with the director Kevin McNeer that his feelings about the dictator are ambivalent.

Микки Маус оказался в Зазеркалье из сказки про Алису. Правда, тут немного другая реальность: ожившая мебель, волшебство других предметов. Например, грецкий орех действует как «уменьшитель», стоит лишь съесть его. Также Микки предстоит станцевать с колодой карт и завести знакомство с Червонной королевой…