Faye attempts to replace her newly deceased husband, Evan, with an android simulant (SIM). Although SIM Evan appears like human Evan in every way, Faye does not feel the same love for SIM Evan as it does for her. SIM Evan tries to win Faye back while at the same time being on-the-run from a government agent chasing down SIMs who have become “conscious” and could potentially be a threat to humankind.

What's left for an actor who thinks he has done it all? Simon is convinced that he has played every possible character and no roles can challenge him anymore. He's grown bored of acting, but there is one thing that still gets him: The question of how to perfection the role of a dead person. Since no one has ever truly experienced that state and came back to tell the tale, it poses a difficult task. Simon's quest is to accomplish just that.

A girl download an app and weird things started happen.

A condemned prisoner faces a surreal dreamscape on the eve of his execution awakening in a desolate space, he finds himself trapped in a decrepit building, haunted by eerie sights and sounds. with no recollection of how he got there, he navigates through the passageways, encountering the unsettling atmosphere. guided by an enigmatic force, he grapples with past transgressions seeking redemption within his dream.

A young copywriter Sergey dreams of escaping from a boring life and writing a novel. He quits his job, locks himself alone in his apartment to devote all his time to this, but the process is difficult. One day he notices in the reflection of the mirror on the door of an old massive cabinet that the page on the laptop screen is covered with text, while in reality it is completely empty. Sergey copies the written text from the reflection and realizes that this is the beginning of the novel, which he tried to invent himself. Soon Sergey gets acquainted with a mirror image of himself, which seems to him more confident, free and talented. Reflection gradually subordinates Sergey, gains power over him, teaches him how to become productive and successful. But what is the price of this success and the chances of finding yourself again

Examining Jean Baudrillard´s philosophy as it developed from a Marxist framework in Symbolic Exchange and death through to his hyperreal postmodern period exemplified in Simulacra and Simulation. I take an in-depth look at a number of his concepts.

Sleepwalking Through The Walk Simulators is the first feature-length animated film made by Xi Chen.​ Either producing events or walking into the life cycle of the others, the characters speak to their own narrative tale under this beyond-event structural framework.

One night, three bored young men in a car decide to pay a visit to an older man they only know vaguely. At first he’s glad to see them but soon afterwards thinks they’ve come to burgle him and turns a gun on them. When the police turns up, they’re all taken into custody.

Showing this July

A cinematic dysfunction based on found footage and manipulated lost films that come together to rethink modern society. The perversity of control, power, consumption, compared to images designed to enhance the sensory side, are some of the topics covered. SIMULACRUM evokes chaotic scenarios transposing us to the origin of cinema in a disturbing way.

Georg Săbău’s first work is a pioneering collection of avant-garde cinematic short stories – non-linearly structured narratives and pseudo-narratives that revolve around partnered couples. It gives the opportunity to master the basic vocabulary of experimental film: split screen, multiple exposures, and jump cuts.

Image production is fiction-weaving. Together with Sheena Absalud, we spent an entire day in Pride Month in my room documenting ourselves using different cameras: three mobile phones, one action camera, one CCTV camera, and one laptop, while asking each other questions about our asexuality. Recognizing the role of the moving image in constructing prejudice, self-identity, and desires, and therefore the expansion of neoliberalism, "The Function of Fiction" attempts to abandon temptations to define “asexuality” and its place in the context of “LGBTQIA+”, in pursuit of new socialities and possibilities. Music in the film was spawned with plants and machines.

The artist replicated the experiment proposed by the philosopher in one of his essays about the natural disaster in Lisbon. Ramos used boxes lled with soil built according to the following instructions: ‘It is now time to say something about the causes of earthquakes. It is easy for a natural philosopher to reproduce their manifestations. One takes twenty- ve pounds of iron llings, an equal amount of sulphur, and mixes it with ordinary water, buries this paste one or one-and-a-half feet underground and compresses the earth firmly above it. After several hours, a dense vapour is seen rising; the earth trembles, and ames break forth from the soil.’

A sex-addicted con-man pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death.