Situada en una época de colonización interplanetaria, Sy Lombrok, un vagabundo con un oscuro pasado, formará una extraña alianza con Kane Sommerville, un teniente que trabaja para el contratista militar Exor. En una lucha contrarreloj, tendrán que rescatar a la hija de Kane, Indi (Teagan Croft), en medio de una inminente crisis global causada por Exor.

Tras cumplir una condena en prisión, Laurence Burton vive una vida simple en el desierto con su esposa. Su sueño es construir un platillo volador con energía renovable. Junto a un grupo de pensionados británicos, intenta hacerlo realidad mientras trata de reconciliarse con su pasado familiar.

A mad scientist introduces himself to us ("Come! I show you around!") and explains his specialty is crossing things ("I cross a pine mit a apple and I get a pineapple!"). His biggest ambition is cross his pet ape with something but doesn't know what. Enter Woody who comes to his door selling magazines. The scientist decides to cross the ape with a woodpecker and create a flying ape. Woody naturally doesn't want the experiment to take place and tries to flee the scientist's house after being captured. In the end, though, it's the ape who gets the last laugh...

Those TV documentaries you see, and the science experts they feature? Did you know that producers often edit them out of context, and twist their words, to make it seem like they promoted some pop sensationalism instead of the real facts? Science Friction exposes these faux documentaries by name, and gives the scientists a chance to clear the record.

The Ant is captured by a scientist and placed in an insect specimen container within the scientist's mobile laboratory, and fortunately for the Ant, his host does not approve of the Aardvark's Ant-snatching attempts.

Narrado por Mark Hamill, en el documental, los directores Steven Spielberg, George Lucas, Ridley Scott y James Cameron explican cuales son las películas de ciencia-ficción a los años 50 que más les han influenciado.

This film uses stop motion animation of still photographs to convey images of politics and science in the nuclear era. The advancement of science allows man to do things he never would have been able to do without, for good or bad. Politicians are either behind the scenes manipulating those scientists or are using that science for their own goals, primarily in the space race. Everyday items and people are projected upwards - many in the form of rockets - followed by iconic structures, such as the Empire State Building, the US Capitol, the Washington Monument, the Eiffel Tower and the Kremlin, being rocketed skyward as visual representations of that race into space.

A haphazard party-ride to Mexico evolves into an enigma with a fugitive alien at the helm.

Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.

Science Fiction is a found-footage film that playfully explores the space-time continuum as it applies to narrative structure. Max J. Alvarez in the Milwaukee Journal writes: “J. J. Murphy’s Science Fiction, a dazzling five-minute experimental fantasy that at first appears to be a 1950s travelogue gone awry, features technical trickery that will impress and bewilder filmmakers and filmgoers.”

Conquerors land on a newly discovered planet and try to colonize and explore a new discovered planet.

Science Fiction (2016), Ciencia ficción del cartel

Cinco desconocida, sin leer, y bien-allá-su-prime la ciencia ficción autores lidiar con la oscuridad, el infinito, y la obsolescencia (... y si los robots se debe permitir legítimamente para entrar ... Ver listado completo »

Director: Pablo D'escalera

Escritor: Pablo D'escalera

Estrellas: Helen Bonaparte , Carlyle Edwards , Adam Grayson

Andreas Decker con nueve años es el nuevo chico de la ciudad. Él cuenta a su clase que ha vivido por todo el mundo ya que su padre es un científico muy importante. Sin embargo, su compañera de clase Vero encuentra que los padres de Andreas son algo raros y misteriosos, por lo que Vero sugiere espiarlos. Entonces Andreas deja un teléfono inalámbrico de bebé debajo del armario para poder curiosear en las conversaciones de sus padres. En unas de esas conversaciones escucha que sus padres quieren conquistar y dominar el mundo. Los niños llegan a una conclusión: que los padres de Andreas son alienígenas. Andreas no se lo puede creer, sin embargo Vero sigue firme en esa idea: ellos tienen que avisar al gobierno y lo único que tienen que conseguir es una evidencia.

A clip in the Science Please! collection, Wheel Meets Friction uses archival footage, animated illustrations and amusing narration to explain how the invention of the ball bearing reinvented the wheel.

American Documentary, narrated by Christopher Lee

De la mano del conocido actor de teleseries de los años 70, Gil Gerard (Buck Rogers), y a bordo de su nave comenzaremos un fantástico viaje a través del tiempo e iremos viendo la evolución que ha ido teniendo la Ciencia-Ficción a lo largo de 80 años. Desde aquel "Viaje a la luna" de Meliès en 1903 (clásico del cine mudo en el que una nave espacial se clava en el ojo de la luna) hasta 1983 recién estrenada la primera trilogía de Star Wars, pasando por "King Kong", "La guerra de los mundos", "La cosa", "La invasión de los ladrones de cuerpos", "Metrópolis", "La amenaza de Andrómeda", "Barbarella", etc... iremos viendo los elementos que han ido utilizando los distintos directores y guionistas para dar vida a las más alucinantes historias (tales como, el científico loco, la criatura, la chica, el robot...)

Science fiction short involving dreams.

Endeavors to reveal who the reclusive writer John Wyndham Parkes Lucas Beynon Harris was, through interviews with colleagues, flatmates, family friends and scientists. His life, as can best be constructed, is revealed and his body of work, once settling on the name John Wyndham, is analyzed and discussed. An actor portrays him by quoting things he wrote that have survived, and the only piece of footage ever recorded of him is examined. The emphasis is on what his personality may have been, the scientific ramifications of his themes, and the influence of his writings and the film adaptations of those, on later generations.