Wil, une jeune New Yorkaise asiatique et lesbienne de 28 ans, vit avec sa mère enceinte et tente tant bien que mal de concilier sa vie professionnelle, sa vie privée et la pression exercée sur elle et sa mère par la communauté asiatique.

Il s'agit du dernier film de la trilogie Fate/stay night : Heaven's Feel.

Every year hundreds of people - mostly women - are attacked with acid in Pakistan. Follow several of these survivors, their fight for justice, and a Pakistani plastic surgeon who has returned to his homeland to help them restore their faces and their lives.

Were all the candidates’ faces posted on the walls of Lebanon during the parliamentary campaign of 2000 waiting for the results of the elections? No. As faces, they were waiting to be saved. Far better than any surgical face-lift or digital retouching, it was the physical removal of part of the poster of the face of one candidate so that the face of another candidate would partially appear under it; as well as the accretions of posters and photographs over each other that produced the most effective face-lift, and that proved a successful face-saver for all concerned. We have in these resultant recombinant posters one of the sites where Lebanese culture in specific, and Arabic culture in general, mired in an organic view of the body, in an organic body, exposes itself to inorganic bodies.

Un homme est assassiné à la porte de l'appartement du Saint. Avant de mourir, l'homme arrive à prononcer quelques mots à Simon Templar l'envoyant dans un village du nom de Baycombe à la recherche d'un criminel mystérieux surnommé "Le Tigre"...

Quand le sosie de Simon Templar fait de la contrebande de diamants des Etats-Unis vers l'Egypte, le véritable Saint doit prouver son innocence malgré les soupçons qui pèsent sur lui. Pour contrer le sosie qui se joue de lui, il va tout mettre en oeuvre pour récupérer les diamants.

A zombie apocalypse comedy about the last boy on earth and his robot friend, who seek out the last woman on earth in order to repopulate the planet. The only problem is that he's 14 and she's 25, and she has no interest in sleeping with a teenager.

A mid-level automotive company employee is summoned to the mountain villa of owner Giovanni Nosferatu, only to discover a glossy netherworld where capitalism is the new vampirism, and escape may be impossible.

A documentary took more than 30 years to pursue a migrating bird, black-faced spoonbill.

Short Pathé comedy.

Ruined alcoholic doctor escapes a tropical plague and begins a new life back in civilization, taking over the identity of a dead man.

The documentary film looks a group of old folk artists who live in Ansai County, Shaanxi Province, China. One of them is 78 year old Chang Zhenfang, whose works made out of paper have won many prizes in China and are shown in exhititions abroad. When the film's director finds her in the remote village, she doesn't even know what happens to her works. She lives a hard life.

In Ancient Greek the word Natura (physis) meant that which is being born, it’s the constant rebirth. Combined with the curiosity of exploring the classics of Japanese Painting, in particular the theme of Nature (landscapes, trees and plants) which is usually associated with the seasons and time, there was also an interest in the relation between the constant growth of the natural elements and the apparent fixity of human constructions which as Ruy Belo reminds us actually undergo the same cycle of life and death: “Oh, the houses the houses the houses/ the houses are born live and die”. The intention was to explore the variations of light, focusing specifically on the details of nature in a constant transformation of the space, through the double exposition of images that were reflected in the windows of a greenhouse at the Ajuda Botanical Garden in Lisbon.

A video essay based on polls conducted by Belarusian media.

A theatre directed by Kiumars Moradi.

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

The film tells the story of modern slavery from the perspective of the only Russian organization carrying out mass rescue missions both within the country and abroad.