It is a muster parade in Sarajevo in honour of Ferenc Ferdinánd. Polgár Éva and baron Várnay Miklós, her fiancé and a hussar captain, are preparing together for the event. In the meantime, the woman meets Borisz Boronow, a Russian painter. They fall in love with each other.

A young girl muses over how her teenage years have been impacted by the pandemic

The events in Sarajevo in June 1914 are the backdrop for a thriller directed by Andreas Prochaska and written by Martin Ambrosch, focusing on the examining magistrate Dr. Leo Pfeffer (Florian Teichtmeister) investigating the assassination of Archduke Franz Ferdinand. Trying to do his job in a time of lawlessness and violence, intrigues and betrayal, Leo struggles to maintain his integrity and save his love, Marija, and her father, prominent Serbian merchant. But the events of Sarajevo have set into motion an inescapable course of events that will escalate to become … the Great War.

Sarajevo 1944. The German armies desperately need fuel in the retreat. Walter, the enigmatic and charismatic leader of the resistance movement, can endanger their supplies. The Germans are taking a cunning plan to remove that obstacle.

Franz Ferdinand, heir to the throne of Austria-Hungary, is kept absent from the royal court due to his dangerous political ideas. Sent on a tour of inspections and inaugurations, he falls in love with Countess Sophie Chotek.

A short two-minute rumination on the once volatile situation during the period of the Bosnian War presented in the form of a photo-montage with accompanying text.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

A week after the Dayton accords, Phillipe Grandrieux visits Sarajevo accompanied by Sada, a Bosnian who is returning home after four years of exile.

Since Zlatan fled the war in former Yugoslavia, his contact with his homeland has only consisted of him regularly sending money to his old aunt who is the only surviving relative there. Now his adult daughter is set on visiting Sarajevo (Zlatan’s hometown) together with him in order to walk the streets of his youth and hear his story. Despite initial unwillingness, Zlatan lets himself be persuaded and the reunion with the home country brings both absurd surprises and secrets from the past.

Sarajevo, late June 1914: A Serbian nationalist shoots the Austro-Hungarian heir to the throne and his wife. A few weeks later, war raged in Europe with devastating consequences.

Deeply moved by the Bosnian tragedy and, more specifically, by the nightmare that the inhabitants of Sarajevo have been living for two years, the filmmaker Marcel Hanoun, like other great creators (from Susan Sontag to Juan Goytisolo), wanted to give testimony. He has made a superb film-poem in homage to this young Bosnian couple (belonging to two enemy communities) that was killed by an anonymous sniper on Liberty Bridge, in the summer of 1993, as they were trying to flee from the besieged city. ("Le Monde Diplomatique", 1994)

Sarajevo, 1995. Senka, a young actress, misses her boyfriend, Camac, a soldier in the Bosnian army who is often away fighting. Despite everything, she continues to go with her brother-in-law to the theater to perform in a play.

Sarajevo was under siege already 9 months when Radovan Tadic flew there with a UNO machine to take pictures of misery and destruction in a city, in which dread is part of everyday life. He lets people talk about their desperate situation and repeatedly the dismay about the hatred between former neighbors. We see pictures of a wedding, interrupted by gun fire, an emergency operation on a soldier is interrupted by a woman's delivery, children disassemble a theater to get firewood. -- A dramatic appeal against carelessness and forgetting.

The adaptation of a lesser known novel by Nobelist Ivo Andric, which describes the life of a spinster who was overwhelmed by a single passion: avarice.

Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?

Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.

A group of thieves return from Western Europe to Sarajevo during Christmas and New Year holidays. Back home they meet some old friends, their families, their lovers, but they also have to ...

The last film made in Yugoslavia, tells a story about Sarajevo during the last days of Europe, better known as the "Belle Epoque", between the years 1910-1914. A time of troubled events in the Balkans and an assassination attempt of Franz Ferdinand, which caused the beginning of the First World War.

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.