An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

In short sequences of images pointedly set to music by Louis Armstrong, the film follows the pleasurable triumph of young life over the obstacles of setting out into the world. As short as the film is and as curious its contents, the chequered story of its working and release titles is just as interesting. In 1987, the industry magazine “Film und Fernsehen” presented it simply as “A DEFA film by”. The text printed there ends with a sentence in brackets: (And many a viewer may marvel at the courage of the little ducklings and feel encouraged themselves.)

A young woman (Alexandra Neldel) begins to work collecting emergency calls when get one that puts she on the trail of a serial murderer who, for some strange reason, she intends to become involved in the case. Furthermore yet another teenager has been kidnapped. Police do not know where to start, but it surely depend to find the victim alive.

Four friends start to receive morbid Valentine cards and realise they are being stalked by someone they had spurned 13 years ago. A masked killer is on the loose and Valentine's day is soon approaching.

Since her childhood, Jessica has been haunted by recurrent nightmares whose meaning escapes her. This peculiarity has led her to study the psychophysiology of dreams and to follow a therapy with Sean, her mentor and boyfriend, to try and understand the origin of her nightmares. Following the death of her maternal grandmother she hardly knew, Jessica reluctantly returns to the family home. Jessica then begins to wander in a nightmarish world inhabited by twisted versions of her family members. She gradually improves her skills as a lucid dreamer and investigates to solve the mystery that gnaws her and haunts the family home...

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

Industrial magnate hires the former US Navy Seal Frank Mitchel to find his kidnapped daughter Susan. The only trail leads him to an abandoned factory in Poland. There Frank realizes that it all comes down to more than just a kidnapping.

Five young, pretty female athletes are training for an international skydiving contest. From heaven they basically fall straight into the arms of five charming young men. Their coach is less than thrilled about the flirtation and urges his athletes to concentrate on the contest. He is convinced that love-making will put the victory to risk and asks them for sexual abstinence. The power of love turns out to be stronger, however, and soon the first love couples find each other.

Bus Riley returns to his small town after time in the army. On his return, his ex-girlfriend wants to resume their relationship. The only problem is she has married in the mean time. Searching for fulfilment in his life, Bus decides to get a job with his gay friend who is a mortician. When the mortician makes a pass at him, Bus quickly gets out.

An overworked woman encounters a pair of armed robbers on the subway home. When one of them is killed, apparently as he divulges the location of some stashed money to her- police place her in protective custody, only she is uncertain what the man told her prior to being shot as she was wearing a pair of headphone as the time. She meets up with a disgruntled cop (Richard Dean Anderson) who decides to join her in searching for the money. A strange twist makes their hunt possible.

Volunteer girls come to the village. They will help to harvest the crop. The girls are dressed in fashion, behave provocatively. Four village men want to demonstrate their qualities. The mechanic pretends to be an athlete, the teacher plays love sketches that he watched in the movies. The vet flirts clumsily, and the doctor decides to go to Africa. The girls leave. Calmness and boredom come to the village.