A couple revisit a photograph to save their fading relationship. The space they revisit echoes their relationship and memories.

In Photograph Jessie Growden takes her personal photograph collection and methodically destroys it by shredding, deselecting through a systematic process, accompanied by heartfelt singing.

Solitary and skilled photographer Kai is afraid of women. When he encounters a beautiful model, Kyoko suffering from body dysmorphia, they begin a twisted romance. Kai is determined to save Kyoko from her anguishes, even if it means death to himself.

Photograph, is a short film that was written, directed and shot by Seán Leahy.

Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.

Down the gangway, photographers leave the deck of a riverboat in large numbers.

The story is freely inspired by the life and work of Jan Saudek, who is probably the most well-known Czech photographer internationally and has indisputably been involved in the development of international photography. He has exhibited and sold his work in the largest galleries and art houses, he has earned international recognition and awards, he enjoys great popularity and interest - he is a true phenomenon.

The paths that the artist traveled to create two essays that are landmarks of contemporary Brazilian photography.

"Eye Photography" was born in 2022. on June 28, out of curiosity and admiration - both the uniqueness of our irises and the technology to capture them. This is a documentary film about the journey of Martas and Kamile in creating the first project of this genre in Lithuania. This story is full of surprises, excitement, doubt, courage, inspiration and adventure.

A struggling street photographer, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develops a connection that transforms them in ways that they could not expect.

When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.

The murder of photographer José Luis Cabezas in the summer of 1997 deeply shakes Argentina, and ends up revealing a mafia scheme in which the political and economic powers appear to be involved.

As the photographer Minho starts shooting in the studio with a new concept, the female model is killed in the accident. The process takes place accidentally on the camera and the picture is sold at a high price. Minho, who suddenly touched a great deal of money, is unable to win the remorse of conscience and becomes a prodigal life, devouring all the money he had. Minhoo, who became a shaggy person, started to take pictures again after killing the model, and curator Seung Hee, who sold the photographs, finally found Minho's truth and set up a new plan.

A family goes to a photographer. The photographer pushes the boy around, and no one seems to care. The boy gets his revenge.

A young Photographer, who has considered himself to be an outsider amongst modern society, has an unexpected epiphany that sheds a new light on how he looks at modern society.

The wife of photographer J.A. Martin decides to go with him in his tour of the hard Canadian countryside at the turn of the century. She hopes the intimacy will revive their marriage.

Into a photography studio full of large fantastic machines steps an elderly couple. The bearded proprietor explains the equipment and gives them a demonstration: he starts machines whirring, and projects a painting of three women onto a large screen; suddenly the women begin to move. The customers are impressed. First the women sits in the special seat: she's projected onto the screen, and her good nature comes out in the laughing image. Then it's the man's turn, but the machine discloses a vastly different nature in him. Will his reaction threaten our proprietor's inventions?

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy, comes to its own right in the first place? Where in its mis-en-scène would be the line drawn to a fictional film, if drawing a line would succeed at all? These are the kind of questions this film essay on the history and aesthetics of documentary film deals with in its seven chapters.

A client has trouble listening to the photographer's instructions.

A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.