John and Mary Sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community - a socialist mini-society based upon the teachings of Edward Gallafent. The newborn community suffers many hardships - drought, vicious raccoons and the long arm of the law - but ultimately pull together to reach a bread-based Utopia.

A short documentary on how one family lives out each day to earn their daily bread. How one man's trash is literally transformed into this family's treasure.

Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.

A social parable without words about how different people earn money. The heroine who sells her crops on the street, all day long watches sadly as passers-by actively give something to a beggar, but don’t buy anything from her. encouraging beggars, discourages workers.

A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.

MamaPan is an artisan bakery where the female employees are social cases who would hardly find a job given that, for example, they cannot read or write. We see the harsh reality of these women, their instability and their inability to adapt, which results from all the problems they bring from home. The film presents their perspective in contact with the economic and entrepreneurial perspective and once again shows the problems in the social system related to the integration of vulnerable people in Romania.

Pedro and Leonor have a disturbed relationship as a couple. They live together, on the countryside, but they start to grow apart from each other, thanks to Sunday’s church. While Peter doesn’t care for religion and actually likes to mock it, Leonor is getting more religious and grow fond with the priest. His jealous rises, also with help from church’s clerk, and Peter decides to take action with his barehands.

In another early advertisement of her's, Greta and a group of friends have tea on the rooftop terrace of the Strand Hôtel and later have a picnic in the park.

The film explores societal inequality through subversive imagery, examining the bleak consumerist landscape and its transition between industrial and organic spaces.

The film shows the work of the Red Cross in Sarajevo during Yugoslavia. The Red Cross has been present in Bosnia and Herzegovina since 1912, and thanks to its work, many families had a hot meal every day.

The film depicts the life of a truck driver Sucha Singh and his wife Balo. Balo has to get Sucha Singh's food ready every day, walk a long distance through the fields and wait for him on the highway as he drives past the village. He leads an independent life, playing cards with his friends and spending time with his mistress, and comes home only once a week. However, he expects his wife to play the traditional role of a devoted wife. One day Balo gets late, trying to save her sister from the advances of a lecherous villager. Sucha Singh is angry, and drives away without his food. She decides to wait for him until nightfall.