A woman and a man walk down a beach dragging a sled filled with luggage looking like polar explorers. After another row and an attempt to divorce, Janek and his wife give themselves an ultimatum and decide to go on a 400-kilometer hike along the Baltic Sea in the middle of winter. If they can overcome the challenge, they will stay together forever, if not, they will break up. During their journey, they must overcome bad weather conditions and once again learn how to be together.

During the Second World War, Japanese film editor Chounosuke Ise made numerous propaganda films in Japanese-occupied Indonesia. Their purpose was to justify Japan’s hegemony in Asia, claiming liberation of these countries from colonialism. Chounosuke Ise’s son, filmmaker Shin-ichi Ise, traces the path taken by his father, who barely spoke about the war or Indonesia, and was seemingly reluctant to discuss what he had done there.

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.

I walk around the city, in my ordinary places and not only. I watch crowds and individuals. I go up to them and talk about their loneliness, ask for recipes for this feeling and save their portraits on my Polaroid photographs.

When I came of age, my father gave me a film about my life. It infuriated me, because I had attempted to get away from his camera all my childhood. My father, filmmaker Joschy Scheidegger, documented our family obsessively. It was only when he died that I was impelled to take over not only his extensive film archive, but also his camera. «My Life as a Film» is a personal search for the surprising truths hidden behind my father’s pictures. A philosophical family story about filming and the attempt to capture life.

Mein 1. Film is the first short film shot by Schlingensief at the age of 8 with some “friends of the basement” and featuring a drama divided into three acts. Recurring elements of his cinematography such as narrative parody and cinema as a creative collective moment – already make their appearance in this very early piece. -http://videoex.ch/de/2016/programm/christoph-schlingensief-film-als-neurose/christoph-schlingensief-1-kurzfilme/mein-1-film-in-3-teilen/

An interview of French film director Marcel Carné by Didier Decoin

A documentary film starring Hayao Miyazaki as he follows in the footsteps of Antoine de Saint-Exupéry.

Family videos are odd objects. You can sit around all together and for a few hours relive your life. Family videos are valuable. The older the videos are, the more valuable they become for us. Especially for those of us who have had complicated lives.

Interview film with German director Werner Herzog revisiting the films he made up to ca. 1977.

Posthumous tribute paid by actor Luc Bernard to his older brother, director Guy Gilles ( 1938 - 1996 ). Documentary composed of interviews with some of his brother's friends and some actors from his main films, excerpts of which we see.

Christian Weisenborn and Werner Herzog know each other for more than 40 years. His first film on Werner Herzog "I am my films" (1976-78) covered Herzog's beginning as a filmmaker, the new film is a sequel titled "I am my films, part 2 - 30 years later" in which Weisenborn talks about Werner Herzog as a documentarian of the past 30 years.

A personal film about my past 22 years, pieced together using all kinds of SD, HD, 4K, film materials.

Thomas Heart, details his life including his friends and struggles while living his life in the identity of a bird.

The story of a student named "Fah", who was filming a ghost movie with her friends in her room, suddenly had a scary incident while filming. Makes everyone think that the ghosts created by Fah actually exist. And everyone encountered strange events.

A documentary film following Isao Takahata to Canada to meet Frédéric Back.

Watching his collection of cine films, a Soviet citizen and cineaste in Latvian Riga remembers his time as a soldier in the GDR. At the time, mutual military support within the Warsaw Pact guaranteed the defensive capabilities against attempted attacks from the imperialist west – always taking into account the lessons learned in World War Two.

A Talking Documentary about ZhuangZhuang Tian