Motion Control examines the synergy of camera and performer. Shot on 35mm, it explores from the camera's pov, the physical and emotional entrapment of the ageing and glamorous dancer in her private and personal spaces. The film is notable for hypersound foley overlaid with text and electro-opera composed by Billy Cowie and sung by soprano Naomi Itami.

Recording the moving junk sculpture of Brighton collective Circus Kinetica, this super 8 film was shot on the seafront near their studio in the summer of 2009, with a mixture of live action, stop motion and superimposition. The soundtrack features Hellitron generators, radio and tape.

Ejiofor's fiancée is anything but a faithful and trustworthy person. She is in connivance with Ejiofor's uncle to defraud him of his inheritance. But for the house maid, their plans would have worked perfectly. Find out the role the house help played in foiling their evil agenda.

On the artist's face, which lies supine on the ground, white larvae swarm undisturbed on the cheek, pushing into the nasal cavities, the labial commissure and that of the eyelids, sometimes ajar, sometimes moistened by tears.

Jeff Moore, a high school student, has trouble controlling his emotions. An expert in the subject (though it's never explained who he is or what he's an expert in) assures the audience that Jeff's problems stem from the fact that he lets his emotions escape, instead of reining them in like everyone is supposed to. At the end, Jeff realizes that he must not let his emotions get in the way of logic and reason, and goes to a marshmallow roast with the gang.

At the heart of the Apollo program was the special team in Mission Control who put a man on the moon and helped create the future.