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Musashi Miyamoto left his village and ended up fighting in the battle of Sekigahara with his friend Matahachi, but Musashi Miyamoto lost Matahachi. He goes back to the village to inform Matahachi's family about what happened. At the village, he is persecuted by people there. Musashi Miyamoto becomes worn down physically and mentally. At this time, Soho Takuan appears in front of Musashi Miyamoto. He then rebuilds his life with his sword. Musashi begins to travel for warrior training. He meets many masters of the sword and grows as a person.

On September 15, Keicho, a young man, Takezo, whose life was ruined by the war in Sekigahara wandered around like a wild beast. Only his lover Otsu and the pacifist monk Takuan understood Musashi, who escaped from the hands of the Ochimusha hunters and turned against everyone. Then, a crisis loomed over Takezo as he fled into the mountains. At the same time in the village of Jokyoji in Echizen, the sword prodigy Sasaki Kojiro, in his quest for strength had defeated his own master, Tomita Seigen and got out of the village.

April 4, 1984

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.

The first of five Musashi series, Shinobu and her brother Genichiro plead with the famous swordsman Musashi Miyamoto to teach them swordsmanship to avenge their father's death. The killers of their father see the sister and brother practicing with Miyamoto, and so enlist the help of another powerful swordsman, Kojiro Sasaki, which gives Sasaki an excuse to battle Miyamoto.

In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.

In the sixth and final episode Rentaro Mikuni steals the show as Baiken Shishido, Musashi's nemesis. Mikuni is the nominal villain of the film, but he is a devoted husband and father as well. He tries to kill Musashi only to avenge the death of his brother-in-law. While Baiken (who wields a chain and sickle against Musashi's sword) is a very human character and the emotions that Mikuni displays in his performance are quite believable and engaging

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.

In the third installment of Yoshikawa's novel Musashi, things continue from the 2nd film at the end of battle, where Miyamoto continues on a mission of learning; with the introduction of his arch-rival Sasaki Kojiro; and lastly the large cast of characters rendezvouses for a fateful finale.

The remake of Yoshikawa's novel continues with the second installment in which Takezo, soon to be Miyamoto Musashi, emerges from the Himeji Castle after three years of intense contemplation and philosophical study and starting on his epic quest to complete his skill in the Way.

Silent jidaigeki film

Among the many famous 16th-century samurai who made the leap from myth and ukiyo-e to early cinema screen was sword-master Miyamoto Musashi, previously depicted in prints by Kiniyoshi Yoshitoshi and others slaying an array of grotesque creatures including giant bats, giant lizards, and the mythical tengu. This imagery informed his first screen depiction in Miyamoto Musashi Taiji No Ba, which showed him combatting the mythic white ape of the mountains.

An early Miyamoto Musashi silent short film

Amakusa Shiro led the Shimabara Rebellion as a Christian and died an untimely death at the age of 16. This documentary explores the real image of Amakusa Shiro, who dared to take revenge on the world by conducting seance experiments and other means.

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.

The film’s story centers on Musashi Miyamoto, one of the most famous swordsmen in Japanese history. He pioneered the Hyouhou Niten Ichi-ryuu style of two-sword fighting and wrote “The Book of Five Rings,” a book that has been compared to Sun Tzu’s “The Art of War” for its insight on tactics and strategy.

In 1604, Miyamoto Musashi attacked the Yoshioka family at their dojo and defeated master Seijūrō and his younger brother Denshichirō in two duels. To save their reputation, the Yoshioka family decides to fight back with all 100 family members and hire an additional 300 samurai. Now Musashi sets out to defeat all 400 enemies in his most famous battle.

A collection of the Miyamoto Musashi series directed by Tomu Uchida

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