Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

It is an adaptation of the Greek tragedy Medea from Euripides, a version where the Gods willing and intervations are absent. Medea is the tragic character that after helping Jason in the Voyage of the Argonauts (myth says that she has even sacrificed her own brother for Jason's success), she gets from him only betrayal, as he arranges to marry the King's of Corinth daughter. The king decides to exile Medea, as she is a danger for his daughter happiness, but Medea asks from him just a day… before she goes outside the borders. That day Medea gets her revenge.

Medea is expelled from the mining region in the Atacama Desert and is given just one day to disappear. But in that single day, she comes up with a plan for revenge. In order to carry out this plan, which will culminate in her murdering her own son, she invokes her innermost strength, summoning the power of the female gender.

María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.

Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason.

A betrayed queen takes a terrible revenge.

The inalienable and inconceivable core of an old myth is swirling and fermenting beneath the surface of a recognizable contemporary story. Medea is called Anna in this version, a successful doctor who is trying to get on with her life after a forced confinement. She is willing to forgive the affair of her husband with a younger woman and to make a new start with him and the children. Soon it turns out that their plans for the future do not correspond. Anna is in danger of losing everything: her husband, her children, her career. She is cornered and sees only one way out.

TV adaptation of Michael Thalheimer's production at the Schauspiel Frankfurt.

Mayer’s film Medea takes its starting point from Pier Paolo Pasolini’s Medea of 1969. The ancient legend of Medea contrasts two worlds which are no longer compatible with one another – the old archaic world of Medea and the modern rational world of Jason. Both individuals, who confront each other here as representatives of their opposing systems and raise the great question of peaceful coexistence between cultures in times of globalization.

A furious sorceress seeks revenge after her husband takes the children, leaves the country and finds himself a younger wife.

Greek tragedy by Euripide moved to Dutch politics. Medea, the daughter of the chairman of the senate, falls madly in love with ambitious politician Jason. Together they plan a campaign to make Jason prime minister.

Frans Zwartjes' adaptation of Euripides' tragedy, originally produced for stage by the actresses Josée Ruiter and Çanci Geraerdts.

Filmed in Palestrina-Roma.

It is a story about a woman struggling between her career and family after finding her unexpected pregnancy and finally gets collapses. Hejiahui is a stage performer who plays the main role in the play Medea. The director is leading them for a national tour for the next half year. Yet she finds herself gets pregnant. At the mean while, Medea, the Ancient Greek woman who killed her own sons enters Jiahui's mind...

Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.

Medea is a powerful witch who gets revenge on her cheating husband Jason by killing their children.

"Medea gathers all my important relatives and friends. Above all my daughter Alida as a child when they found out she had diabetes while she was hospitalised. It was my feeling of being a bad mother and a transmitter of hereditary that made me name the film Medea. All of the characters somehow transmit the inner pains of birth, body and life in a symbolic way" - Pia Epremian

Medea is alone, she has killed her sons, and she is thinking about her relationship with the errant Jason.

After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?