Learning that his beloved has married someone else a composer self-destructs

Blaming him for the suspicious death of her sister, a young woman sets out to exact revenge on a nightclub drummer. She becomes romantically involved with the charismatic young man accompanying her, unaware that he is the suspect.

Ameen and Haala’s marriage is arranged in a hurry. As Ameen tries to know Haala better before the wedding, she does not consider it important and this leads to a misunderstanding between the couple

Mr. Malhotra has an only daughter named Seema. He would like Seema to marry Pawan, the son of Gautam. Seema is receptive to this, and even arranges to meet with Pawan. While traveling alone one day in the country side, Seema meets up with Vijay, and both fall in love. Unknown to both, Mr. Malhotra has been approached by an international smuggler Niranjan Das, who is impersonating Mr. Malhotra's childhood friend, and has asked for Seema's hand in marriage for his son Roopesh. Seema subsequently has an accident and loses her memory. She is looked after by Gautam, who will not let anyone, including Vijay, to come anywhere near Seema. And even if Seema's memory does return, she will have to consent to marrying Roopesh, her father's choice

A man falls for a woman and pretends to be rich in hopes of impressing her and her father. However, when the truth is revealed, her father attempts to separate them.

Vijay falls in love with a woman, who rejects him for a wealthy man, which drives him to work for a gangster in order to get rich but soon lands him in trouble.

Meena Kumari wakes up thinking she is Radha. Everyone around her, Subodh Rai, daughter Nalini, friends, and society believe she is Nanda. 16 years before, the date of the film, SS Fort Stikine exploded in Mazgaon, Bombay bringing destruction, and due to the World War II censorship, not much detail was generally available. Casualty figures vary, but the explosion was of such intensity that it was recorded in Simla - about 2000 kms away. Fact and fiction come together in a dramatic way. Nanda and Radha are two sisters, living with their wealthy parents near Mazgaon Docks. Nanda is married to Subodh Rai from Darjeeling and has a daughter, Nalini. This family is affected by the blast. Rajesh Khanna (Dharmendra) a psychiatrist takes on the case of Meena Kumari. Every bit of evidence points to Meena Kumari's instability. Her attempts to prove that she is Radha and not Nanda turn out to be futile. Is Meena Kumari Nanda or Radha? Is she insane or being driven insane? Can she prove who she is?

When a businessman’s wife gets kidnapped, the investigating officer finds something unusual about the case. Will the officer solve the mystery?

Three friends Ram ,Rahim and Raymond from different cities come to Bombay to make big in music industry they meet many people for work purpose but luck hasn't favored them yet.They come across Asha whose left homeless in the city as the person she came to meet has been transferred somewhere else the trio decide to help her and shelter in their house.Asha also has music talent and helps Ram,Rahim and Raymond get work in films and other functions, they happened to get chance at a New Year function where cops come and arrest the trio where they find that Asha is not whom she claims but was in the city to meet her lover.

Directed by Lekh Tandon in 1997. While pursuing a story on a tribal uprising and its mysterious leader, a fearless television journalist and her cameraman travel to the tribal heartland for an interview and, on the way, fall in love.

An original composition and film production that is an homage to mid-twentieth century, classic Bollywood/Lollywood film songs. ‘Woh Umeed Ki Manzil’ briefly traces the romantic history of a young couple, lingering on the moment of dissolution when all hope seems lost.

Bollywood 1949

1987 Hindi drama film written and directed by Sudhir Mishra, in a directorial debut. It starred Manohar Singh, Habib Tanvir, B. M. Shah, Pankaj Kapur, Sushmita Mukherjee and Naseeruddin Shah in lead roles

Drama starring Gulshan Arora

Raja learns that the girl he loves is in love with another man. When he comes to know about the long-standing dispute between both their families, he goes to their village to unite them.

The poor but educated Mahim and his childhood friend, the rich but conservative Suresh, both fall in love with the same woman, the liberated Achala. Mahim marries her and they move to a village but she cannot forget Suresh. Her smouldering unhappiness takes the form of a resentment towards the orphaned Mrinal, raised by Mahim's father, and receives a dramatically visual embodiment when their house burns down. Mahim falls ill, is rescued by Suresh and nursed back to health by Achala. On a train (a metaphor for the irreversibly linear course of life) to a health-resort where Mahim is supposed to convalesce, Suresh on a rainswept night gives in to temptation and elopes with Achala. At the end of the film, there is a dubious reconciliation as Achala is shown following Mahim's 'good' traditionalism with Saratchandra's barely concealed hostility towards Achala's liberated Brhamo Samaj upbringing.