Making Space is a film about trying to find oneself in the constant flow of change and renewal, navigating through the anxiety that comes with not knowing where ‘home’ is, and finally letting go of the need of finding one single person, place, or answer that will solve all your problems. It’s also a film about faces, closeness, and intimacy, and how a Super 8 camera allowed her to get closer to the people she was portraying while also keeping a protective distance. This film was part of a project commissioned by the Echo Park Film Center for the 20th anniversary of its location in LA. The project was supported by the Mike Kelley Foundation for the Arts. Making Space was shot in 2021, entirely on KODAK TRI-X Reversal Film.

Featuring Interviews with Noel Cunningham, Sean S. Cunningham, Kane Hodder and Todd Farmer. Discussions include writing and pre-production, the influence of Scream's success on the film, early concepts for the film, settling on outer space, plot and setting details, shooting 3-perf film, visual effects, ditched concepts, über Jason, audience reaction, and more.

A behind-the-scenes look from director David F. Sandberg into the making of his short film Closet Space.

For the first time in history, women are designing our world. They are the rising stars in architecture-previously an all-male galaxy--and they are literally and figuratively changing the landscape. MAKING SPACE captures the compelling stories and outstanding designs of Annabelle Selldorf (NY), Farshid Moussavi (London), Odile Decq (Paris), Marianne McKenna (Toronto), and Kathryn Gustafson (Seattle & London). Without script or narration, each woman tells her own story, enhanced by the insights of commentators including Pulitzer Prize-winning architecture critic Paul Goldberger; MoMA's Peter Reed and Paola Antonelli; and others. Meryl Streep makes a special guest appearance.

Second unit director Jonas Govaerts interviews Stanley, principle cast, and the producers about the making of the film. Wonderfully structured, “Hot Pink Horror” takes the audience through why this story was selected, how Stanley became director, how Cage became involved, why they shot the film in Sintra, Portugal, and much more. Even though 20 minutes doesn’t seem like much, Govaerts packs such a great deal of details on production, both creative and technical, that it’s almost a bit like a mini film school. If you really dug Color Out of Space, this is the piece to dive into and enjoy.

Making the James Webb Space Telescope.

Documentary about the 1992 follow-up film Critters 4. Features interviews with producer Barry Opper; actors Don Opper and Terrence Mann; writer; cinematographer; and critters designers.

Experimental short by Masaki Matsushita.

A documentary on the history and making of the epic anime series "Space Battleship Yamato" (known as "Star Blazers" in the U.S.), from its creation in the 1970's to 2005!

A look at the ways in which five young Black and Asian British artists - Simone Alexander, Zarina Bhimji, Sonia Boyce, Allan De Souza, and Keith Piper - produce work, and a critique of contemporary art practice.

Pete is a nice and clumsy salesman. But he's also a deadly super secret agent with a microprocessor implanted into his brain by some mad scientists from the government. He has to secretly stop a bunch of badguys who stole a magic stone that can change anything into seafood.

Brock Buttman reports to you "live" as the Flesh Eating Ghouls From Outer Space assault earth. Cult, family favorite, all original puppet production from outer space, featuring the "Twinkie Song", "Don't Go Out There" and more.

what is everything, and what is nothing? Professor Jim Al-Khalili explores the true size and shape of the universe and delves into the amazing science behind apparent nothingness. EVERYTHING: what the universe might actually look like and the remarkable stories of the men and women who discovered the truth about the cosmos. NOTHING: science at the very limits of human perception, where we now understand the deepest mysteries of the universe lie. The quantum world of the super-small shaped the vast universe we inhabit today, and Jim Al-Khalili can prove it.