Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.

A remarkable record of Maidstone during 1964, including summer shopping in open-air markets, winter snows and flooding in the town – and ending with scenes of night-time neon.

Directed by renowned British film director Tony Palmer, this film captures the band at the Maidstone Fiesta during the summer of 1970 as they run through their set of the time. This included various jigs and reels, and the songs Sir Patrick Spens and Now Be Thankful. The film also features two songs from Matthews Southern Comfort, the band led by former Fairport Convention member, Ian Matthews.