"A series of admirable living pictures, posed by competent artists, and faithfully representing well-known art masterpieces, notably the works of Sarony. At the opening of each picture, curtains are thrown aside by two pages, the picture remains for a short interval in complete repose, and the curtains are drawn. In other words, these living pictures are shown exactly as in first-class vaudeville theatres, and were prepared with equal care." Series was finished by 1903 and the films were shown as one presentation.

A film based on Fritiof Nilsson Piraten's short story "Lefvande bilder" - a story about when the movies came to the author's childhood village.

In Rogaland, Norway, 900 meters above the sea, the dancer Cesilie Kverneland is moving in tactile contact with the surrounding nature, and her inside images. Accompanied by a poem by the Norwegian poet Gunnar Roalkvam, and music by John Derek Bishop

There is very little information available online on this little gem, the first 'feature-length' film shot exclusively in Iceland by an Icelandic director, the pioneer Loftur Guðmundsson. Director and crew travelled all around the country with the ambitious goal of documenting all the aspects of the local life at the time. Fishing plays an important role (being then, by far, the number one national industry); one can also witness the humble beginnings of 'city-life' in the capital, one of the first (or was it the very first?) cars driving in Iceland, beautiful pastoral shots of farm-lands, ladies posing in the national costume, as well as fighters indulging in the national sport, 'glyma'. The 21st century traveller will be able to recognize a number of landmarks. The images are often naive, genuine, and captivating. In my opinion one of the most valuable Icelandic films. --Ewolve

A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.

No plot found

An aging Caucasian man chats with his young Filipina lover only to witness the harsh social ills and injustices around the life of the young Filipina.

World renowned wildlife photographer Amos Nachoum has one final photographic dream remaining - to photograph a Polar Bear underwater, while swimming alongside it.

The history of the magic lantern with demonstrations of moving slides, watertank or polarisation slides, followed by images on paper, which are brought to life with mechanical manipulations, with light shining through them or as panorama.

Seven stories based on unusual court cases from Poland.

Kathe Kollwitz was 47 years old, and already a well established artist in Germany and abroad when Peter, her youngest son, volunteered to join the German army in WWI and was killed two weeks later. This painful tragedy changed Kollwitz's life and art forever.

In the film we come close to the man Jacob Holdt, the man behind the iconic 'American Pictures'. Now he is forced to seek out the truth about his adventurous destiny. Jacob's extreme yes philosophy threw him into arms on the great love of his life, the United States. Here the young priest's son walked from Ku Klux Klan and murderers to the blacks at the bottom of the American dream. Jacob's approach to life led him into the struggle to transform racism hatred into love between people. But what inner demons drove the vagabond from place to place? We see Jacob when he confronts the sins of the past and clears up. It is embarrassing when long forgotten secrets are revealed; it is intoxicating when old flames suddenly ignite in glowing passion; It's brutal when death reaps in the garden of love. Can the long threads of life be merged like the vagabond's own beard? This roadmovie is a tribute to 'American Pictures' and to the journey, the adventure, the wisdom and, not least, the love.

In the summer of 1990, six years after the first and successful reunion of Kaveret, the band members reunited for another concert tour under the title "Kaveret Returns". The film "Kaveret - Photos from the Life of a Band", released in 1992, documented this concert tour held in Yehoshua Gardens Park in Tel Aviv, in Caesarea Amphitheater, in Arad and in Eilat. The late director Zvi Shissel accompanied the members of the band on their journey across the country, heard stories and memories from them from the beginning of the journey and documented Kaveret on stage and behind the scenes.

When the ambitious dream of a guy from the province about an acting career collides with a cruel reality, most often there is a drama or tragedy. The plot of the film is based on the traditional conflict for the Russian provincial theater: everyone dreams of the role of Hamlet. But if a person is a comedian by nature? What kind of play will the dramaturgy of life push him into? In the credits, the film is designated as "a tragicomedy from the life of artists."

The main character of the film is Alexey Avdeev, a well–known artist in the Far East, a member of the Union of Artists of Russia, the author of hundreds of canvases and a participant in dozens of exhibitions in Russia and abroad. The artist now defines his main mission in life in short – to teach people to see the beautiful. According to the master, there was a time when he fussed, ran, tried to grab more.

Through the interactions between two film directors and a longtime film extra, this documentary questions the distinction between real and fake. A game of power between assistant director and director leads to the realisation that we all live our lives as extras, ‘accessories’ in the background who wait for the chance to become a star.