In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

Funny five-minute short which mixes choreographed urination with the Pachelbel Canon

Identities are confronted and generation gaps closed when an experienced drag queen catches a teenage boy stealing a pair of her heels.

At the turn of the century, China experienced drastic transformations in its socioeconomic structure and political system, which brought forth the acceptance of many concepts that had previously been opposed. These included making quick money, "selling" your body, and accepting hidden pornography. Using an inconspicuous hidden camera over the course of several days, Cui Xiuwen artfully captures how nightclub women act during this time – including dressing up, counting money, speaking to family members, and negotiating deals inside the ladies' room at one of the most popular nightclubs in Beijing.

Some incidents occur on the dancing floor, and the ladies' restroom at a tropical club will change the life of a macho politician, a naive and subdued married woman, an unfaithful lesbian couple, a transsexual dreaming of a sex reassignment surgery and a smart school teacher who loses her head after a few drinks.

This documentary observes the conversations, primping and camaraderie that take place in the women's bathroom of a nightclub over the course of a night.

Desperately lonely Randi is amping up to invite her longtime crush into her COVID pod. But when her confidence is squashed, drunk women from ladies' rooms past show up in her bathroom to lift her back up.

Solicitor Lukács is well known for his expertise in divorce. He lets a room and while he is away, Csahos, his articled clerk, in charge of business affairs in the absence of the solicitor, leaves almost all of the flat to Székely Klári, a pretty university student. Lukács, while driving his car to Siófok, accidentally bumps into his wife and their friend, Bognár Miklós. Misunderstanding the situation, he asks for a divorce.

Filmed in a women's restroom in a park in Tehran, this film offers insights into the lives of women in Iran. The ladies' room enables the women to unveil themselves, both physically and psychologically. In a series of frank and intimate conversations, these women debate everything from drugs and family abuse, to sex, relationships and religion.