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A man must go to great lengths to save his wife.
A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
A tongue-in-cheek pseudo-documentary, with actual concert footage, of L7's trials and travails being a punk-like band in a pop-like marketplace.
After Lára, 13, loses both her father and brother in an accident, she discovers that her father used to be a member of a theatre group at a local theatre. In order to keep his memory alive, she joins the company. The company consists of eccentric and playful elders who introduce Lára to the magic of theatre and the importance of play. While Lára struggles to piece together the fractured life she now shares with her mother, she decides to help the company in their attempt to save the theatre with a big hit play. But evil and corrupt forces want it gone forever.
L7 live in Longbeach and L.A.
June 20, 2015 live show. It is rare to see women-only groups in Hellfest. L7 is the exception in 10th edition but also one of the best in his favorite genre, grunge. Newly reformed with its original members, the quartet had its peak in the early 1990s with third album Heavy Bricks, produced by Butch Vig (Nirvana). With large and heavy guitars not devoid of catchy melodies, the group mind "riot grrl" has lost none of his enthusiasm despite fourteen years of hiatus.
Swedish Machine Tools; Scientific Barbershop of Tomorrow; Fog Fighter High Intensity Airport Landing Strip Lights
Qatayef's daughter, Samara, dreams of a life other than that of her mother. She wants luxury and a life of extravagance. Rabih, the driver of Bey, Mohsen, who claims that he is Mohsen Bey, is well-known, so Katayev is the daughter of Bakir Pasha, the owner of the Grand Palace. "Mohsen Bey" who is "Spring" and the ceremony begins already only to It comes as the family of "good" preacher "Amany" daughter Bakir Pasha. After many comical circumstances the truth becomes clear and the driver knows that she is not the daughter of Basha. Katayev envisions that her plan has been corrupted and that the marriage of the rich has failed in turn.