Upholsterer's assistant Irene O'Dare meets wealthy Don Marshall while she is measuring chairs for Mrs. Herman Vincent at her Long Island estate. Charmed by her, Don anonymously purchases Madame Lucy's, an exclusive Manhattan boutique, and instructs newly hired manager Mr. Smith to offer Irene a job as a model. She soon catches the eye of socialite Bob Vincent, whose mother is hosting a ball at the family mansion. To promote Madame Lucy's dress line, Mr. Smith arranges for his models to be invited to the ball.

Irène is a beautiful girl working in Paris, she soon meets a manager and hopes a love story with him. But he tells a lie, so she falls in love with a house painter.

In a film as moving as a confession, the filmmaker portrays a veritable journey into the valley of the shadows to find Irène, his Eurydice.

Irene is a single mother who works in a photocopying business. She lives with Santiago, her seven year old son, and her controlling mother Dinia. Then she meets Diego. They go out, she gets drunk, and the failed date triggers in Irene a crisis concerning her sexuality, her motherhood, and the relationship with her mother.

Irene is a secluded old woman who lives in a house in the countryside. When her granddaughter shows for an unexpected visit, along with a new friend, Irene's isolation is disturbed and she starts to unveil feelings she thought were forgotten.

Irene, a feisty Irish girl in Philadelphia, clashes with her family and walks out, heading to New York City to seek fame and fortune. She gets a job as a dressmaker's model and becomes involved with Donald, the scion of a wealthy family. Donald's mother doesn't approve of Irene and sets out to discredit her in Donald's eyes.

An Aldo Vergine film.

Irene is an engaging story about the filmmaker's 92 year old grandmother, and the daughter who cares for her. While suffering from Alzheimer's and decreasing physical ability, Irene's feisty personality still shines through, often leading to both laughter and heartache. Irene is a personal portrayal of three generations of women who all have to face a difficult decision. The film observes particular circumstances which highlight the tension between Irene's desire to live at home and the dangers she faces in doing so.

Rhode Island State Trooper Charlie Baileygates has a multiple personality disorder. One personality is crazy and aggressive, while the other is more friendly and laid back. Both of these personalities fall in love with the same woman named Irene after Charlie loses his medication.

In the shimmering heat of Brazil, 13-year-old Irene discovers a dark secret her father's been hiding: he has another family and even another daughter with the same name.

On a beach in Gothenburg found parts of a dismembered man's body. The only thing that is going on, a tattoo on the torso. Irene Huss finds similar previous cases that will take her to Copenhagen, where she is forced to look for a friend's daughter who disappeared. Likfyndet will be the prelude to more nasty murders that lead Irene to Copenhagen's underworld.

Italy, 1997. When Clara and Irène, both 17, meet they are nothing like each other but get on marvellously well. They run away together to a faraway island off the coast of Sicily to live their summer freely, and to hide from a reality they want to forget.

A blackout leaves the distinguished halls of the Löwanderska Hospital in complete darkness. Doctor Sverker Löwander hears the alarm when one of the ventilators go off, and rushes to the intensive care unit only to find the nurse in charge dead in the stairwell and the other disappeared without a trace. When DI Irene Huss arrives, the only witness claims to have seen Nurse Tekla doing her rounds. There's only one slight problem: Nurse Tekla committed suicide at the hospital sixty years ago.

Documentary directed by Renzo Ragazzi.

In a critique to the Berliner films that depicted labour problems always through masculine lens, Sander changes the point of view. Irene, single mother, works in a washing machine factory and has to deal with discrimination, sexual harassment and lack of solidarity.

A woman (Lil Dagover) who has lost her husband falls in love again, but is bitterly opposed by her daughters especially the title figure who can't stand the thought of seeing her mother going into a relationship with another man. Those who want to see if Schünzel can pull of drama as easily as he does comedy should give it a try.

In a peaceful house, the Domovoï family spend all their time taking care of Irène, an old woman lying motionless in bed.