Harun Farocki was commissioned by the Lille Museum of Modern Art to produce a video 'about his work'. His creation was an installation for two screens that was presented within the scope for the 1995 exhibition The World of Photography. The work Schnittstelle developed out of that installation. Reflecting on Farocki's own documentary work, it examines the question of what it means to work with existing images rather than producing one's own, new images. The title plays on the double meaning of 'Schnitt', referring both to Farocki's workplace, the editing table, as well as the 'human-machine interface', where a person operates a computer using a keyboard and a mouse.

A group of strange beings at a master computer control room use their equipment to kill people by remote control.

The action takes place in the late 1920s Ukraine. Exposing the agent of counterrevolution penetrating the environment of Soviet scientists.

‘Interfere’, one of the 8 films from 8 directors under the project, ‘Across the Bridges’ had filmed at Seogang bridge. I intended focus my eyes on the river flow and bridge, or the spot that artificial meets nature, and a phenomenon occurred at the spot without any judgement or social discussion rather than shooting the structure of the bridge.

Almost a year after the death of her mother, April begins to hear a strange noise occasionally throughout her daily life. This interference eventually leads her on a wild hunt which seemingly hints towards the idea that her mother's death may not be all what it seems.

Two sisters who tragically lose their father now attempt to bring their estranged mother back from a coma by getting into her mind by finding and using a machine a that interfaces across multiple dimensions.

Raúl, a computer programmer believes that the world as we know it is doomed and that the project he is developing will change the lives of many people.

Video #5 Bob Burnquist, Chad Fernandez, Chany Jeanguenin, Dan Rogers, Heath Kirchart, Keith Hufnagel, Richard Angelides, Stephane Larance, Steve Berra

Interface: Cruisin' is a mini-film exploring the artists own nostalgia for video games of the 90s while simultaneously queering the narrative, replacing the traditional bikini babe with himself.

An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its transformation in the electronic sphere.

What if there has always been a screen between your face and your surroundings? What if you have never seen the face of your lover and have never looked at your own eyes in the mirror?

A wandering computer programmer befriends college students Trent Turner and Rick Thorn, but friendship soon turns to suspicion as they discover the bloody past that drives his lonely life of endless searching.

A scientific experiment at the tail end of WWII has exposed the world to a form of cerebral electricity that renders ghosts and monsters into tangible, living beings.

Kadin sets out to face his fears after his sister Avery, mysteriously disappears two years ago from a birthday party near the Oregon National Forest. After suffering from depression, he decides to camp deep in the woods for one night to prove to himself that the world is not a dangerous place. Kadin soon finds out the woods hold many secrets that may lead to the truth about his sister.

Two projectors pulse in tandem

This time the trouble is with Snookums and the telephone, and his father has a real struggle to satisfy him.

Pop star Anna has been kidnapped. Kidnapper Jash uploads the video clip of Anna being tortured onto the internet, which instantly becomes the talk of Hong Kong. A week later, Jash contacts the police, asking not for a ransom but for retired police inspector Mo to be his police contact. Inspector Mo eventually discovers through a tabloid magazine that a self-proclaimed psychic named Shana had phoned a radio program on the day of the kidnapping to warn of the incident.