Shayla Stonefeather, a Native American attorney prosecuting a Lakota teen in a controversial murder trial, returns to the reservation to say goodbye to her dying father. After the teen is killed, she hears ghostly voices and sees strange visions that cause her to re-examine beliefs she thought she left behind.

"Louise Bourque's 'Imprint' focuses obsessively on home-movie images of her family's house, which seems gloomily oppressive, almost filling the frame; she repeats the images with various alterations - tinted, bleached, partly scraped away - as if attacking the place, turning its darkness into light." - Fred Camper, The Reader, Chicago, April 16 1999

A short film by Edwin Mcgill.

An experimental dance film featuring members of the Ballet Rambert, one of the world’s most renowned dance companies, performing to the music of Gavin Bryars.

The transient connection of two, leaves a lingering memory on one.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

The life of workers and their families in a construction site of a highway in 1965.

A César nominated short animation that satirises the pressures of social conformity.

A depiction of five people's life-changing events where each body carries a life-changing story. With a careful and sincere exploration of memories, the movement picks up where words are not enough.

An autobiographical collection of instances that describe the action of living in a post-industrial landscape, the end of a love story and the politics of what is private and what is public. The camera, as a device for recording and recollection, goes beyond evoking the past to become a tool for the appearance and exorcism of spectres.

An afternoon exercise of piecing together minimal details for safekeeping: my grandmother's garden, her music, recipes for well-being.

A wooden printing block that has been reduced to an objet d’art, longs to be dipped in ink and leave its mark on the world.

Is the seed of happiness planted during childhood? The early years of our lives, the ones we no longer remember, leave a deep imprint on us. But is that imprint permanent? Or does it perhaps evolve? This is the voyage to that place forgotten by the memory, a journey from the mother I have become today to the baby I once was.

From archival photographs that testify to years of political violence in Peru, the film builds an analytical narrative that combines the artist’s memory and that of José Pablo Baraybar, head of the Peruvian team of forensic medicine.

Russia and Poland. The history of the two countries has been filled with conflicts and political intrigues for centuries. Periods of war alternated with years of truce. From the film, the viewer will learn what historical events and figures were behind the centuries-old confrontation between the two Slavic peoples. What role did the struggle against the Mongol conquerors play in relations between the Slavs. How the divisions of Poland between other countries led to its disappearance. How Poland was reborn from oblivion, what role did the Russian rulers play in this.

A solemn live-in-nurse cares for her enigmatic yet ailing Mistress, however, her devotion soon becomes obsession as her fantasies bleed into reality.

United States / Mexico 1974, Super 8 transferred to digital, colour, silent, 3 min

Inna Dmitrieva's "Imprints of Absence" is, in the filmmaker's own words, 'an attempt to reconcile a love of one's city with the impossibility of returning there as home'. With a sense of distance, nostalgia and care, a city washed in blue develops, its corners turning into cyanotype photographs. Preserving image to preserve memory, the film explores the complicated relationship between where you are from and how much of it you carry with you.