Hélène is a forty-year-old woman who becomes amnesic after a period in a coma. She then discovers that she lives with Nicolas, her husband. A stranger to a life she is supposed to know perfectly, she meets Nelle, a home care assistant, who brings a breath of fresh air into her monotonous life.

Images. Consumption. Destruction. Out of fear of death, man created images. Now, in the age of ichnophagy, the destructive relationship between humans and images is more tenuous than ever. Are we consuming images or do they consume us? "Imago" brings us food, life and death in images.

Fragments of the life of Antonia, a young photographer for a local newspaper in Corsica. Her commitment, her friends, and her loves intertwine with the major political events of the island, from the 1980s to the dawn of the 21st century. It is the fresco of a generation.

When Naomi's roommate catches her with the duplicate key she made for her boyfriend, they begin a war of attrition over the house. Each one is ready to touch the other's most painful points in order to win the house.

Silvio Fabrykant is the author of many portraits of personalities from Argentine popular culture. One of his most important works was the cover of the singer Gilda's latest album, which after her tragic death, has become a sacred image for many. Tired of always being asked about the same photo, Silvio evades all responsibility, since he does not consider that a photographer is an important part of a commissioned photo. But approaching a new anniversary of Gilda's death, questions will be raised about the power of the image.

Alice is a young woman returning home after a devastating suicide attempt. She finds that her attempt has left her relationships in ruins as she is taken care of by her overprotective sister Erica and Julie, her nurturing girlfriend. Alice is reluctant to confront the reasons behind her attempt, but the closer she gets to the truth the more her world falls apart.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Disillusioned shoe salesgirl Sonja didn't expect to stumble upon love in a photobooth. Nor did she expect that, as she started to open up more and more to her partner Karl, the image she was so used to projecting to the world - and herself - would be called into question...

The cycle of life. A boy whose father is a pilot imagines that his toy plane becomes the real thing, allowing him to fly side-by-side through the heavens with his father. He takes off from a tree house overlooking the sea and his father's landing strip. Their flight is graceful and full of adventure. Then, we watch the boy grow, study, marry, father a child, and become, himself, a grandfather. Holding a toy plane, he takes his grandchild to the same cliff from whence his own imagination took off years before.

After the invention of photography, the development of film devices, catalyzed by Muybridge's The Horse in Motion, led to the birth of film in 1888 with Le Prince's device in the Roundhay Garden Scene. This work explores illusions, continuity and spacetime in between, attempting an audiovisual experiment to connect images of death with the "First Scene."

They say that in 1600s, long before the invention of photography, a scientist named Fumagalli, was obsessed with the idea of reproducing images. He discovered that by killing a victim and removing his eyeballs it was possible to reproduce on paper the last image imprinted on the person's retina. He named such tecnique "Thanatography". Today, the same kind of gruesome ritual and abominable crimes r

Tax row, bank secrecy and exploitative commodities trading companies: Switzerland has an image problem. But don’t worry. Simon and Andreas are taking care of it. The two fearless filmmakers head out on a yearlong odyssey across Switzerland in order to rebuild the battered reputation of their home country. Along the way they meet farmers and allotment gardeners, journalists and tourists, villa owners and numerous perplexed foreigners.

Live at Zillo Festival, Freilichtbühne Loreley, St Goarshausen, Germany, 16.Jul.2004 (3 tracks) // Promo Video (1 track) // Interview with Mozart, Lutz & Nanne (1 track) -

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.

A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.

After several years of relationship, Iago and Tristan have decided to separate. The afternoon that Tristan is collecting his things to leave the apartment they shared, he receives the unexpected visit of Iago, who was not meant to return until Tristan had left. The uncomfortable reunion between them becomes a distressing experience when Tristan receives a phone call that will change everything.

One day, Raoul Cérusier realizes with amazement that his face has changed. With the exception of an old uncle, no one, not even his wife, recognizes him. From an ordinary, rather ugly man, he has become a charming young man on whom the prettiest girls turn, including his wife whom he seduces. Fortunately, he regains his old face in time and Madame Cérusier, losing a lover, finds her husband again.

Experimental short by Keiji Aiuchi.