I made How to Disappear Completely at a time where I felt too seen, too watched, too vulnerable – the only way I knew to protect myself was to redact myself from view. It was an attempt to “opt out” of the The Empire’s violent vernacular, removing myself from the burden of even having to work in resistance to it. A temporary one, but an attempt nonetheless.

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol and history. She decides to put on a stage play based on an old Filipino film about a family who disappears in the mountains during the war. But soon after the performance, she vanishes from the car, prompting her parents to look for her in the woods. One by one, they all start to disappear.

A lonely 13 year old boy magician strives to escape a cruel adolescence by perfecting the ultimate on stage disappearing act.

A prolific writer eager to complete his magnum opus and his social media influencer wife working to rebuild her image decide to retreat to their remote farmhouse in the midst of a pandemic.

A young man's search for fulfillment and meaning ends with him alone. In nature.

An avant-garde self portrait of a dissociated mind.

Gerda meets Little Robber Girl in the Berlin subway. There’s only ten, twelve hours until they’ll part ways. The mutual interest turns into love affair and all that ends in the morning. But still there’s a sea of the city to float by night.