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The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.
Two hundred and fifty thousand years ago, the first direct representative of our species appeared on earth: Homo Sapiens... From 400,000 to 20,000 BC, we follow the destiny of Homo Erectus, Neanderthal and Sapiens. We will thus discover the appearance of language, art, cults, agriculture, and breeding.
HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial age, and what it means to be a human being. What will remain of our lives after we're gone? Empty spaces, ruins, cities, increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, now abandoned and decaying, gradually reclaimed by nature. Comprised of a succession of eerily depopulated, dystopian landscapes from across the world, HOMO SAPIENS offers an at once mesmerizing and chilling vision of what a posthuman future might look like.
In Morocco, new excavations on the site of Jebel Irhoud upset the generally accepted view of the dating of the appearance of man.
On a subway car, a gay man comes face to face with his internalized fear of rejection.
Bar, a student who has a lot of growing up to do and is unfortunately also a bit ignorant, needs to study for an exam with Yair, a fellow student of his who just happens to be homosexual, or else risk failure. In the days leading up to the exam Bar doesn't miss a single error in the ways of tact, but manages to learn a lot as well, and not just for the test. Along the way he discovers that he can be physically attracted to another man, when before he wouldn't dare say who is better looking: a movie star or a funny looking old comedian, he stands up for a gay couple - so what if he winds up doing even more damage? And he discovers a new friend, who he finds even intriguing, and so what if he is gay?
A representation of human behavior focused exclusively on our western world, made up of footage selected without any concern for place, time and ideology, that provides logical continuity to daily events with the intent of underlining the general contradictions of reality.
2007 short film by Cheuk Wan Chi
A few years before Kubrick in "2001", although in a more farcical way, Ion Popescu-Gopo shows the evolution of a strange creature named man from the time he started to rub flint stones to nowadays when he has managed to split the atoms.
No action, no scenario, except for the man in silence. Bob Hansson reads his poem to music by Flesh Quartet and pictures by Jesper Klevenås.
Homo Sapiens 1900 is a 1998 documentary directed by Peter Cohen, about various eugenics methods that were in practice in Europe during the first part of the 20th century. Eugenics is to be the scientific credo of the 20th century. The man credited with its invention, Francis Galton, says it is based on the concept that the evolution of man is crippled by the ill-conceived - those unfit to breed. The study of eugenics thus would concern itself with distinguishing the weed from the good flowers.
HSP 100 is a portrait of experimental filmmaker Maximilian Le Cain. As Le Cain discusses his life, work and relationship with cinema, Rashidi envelops him in a hallucinatory audio-visual ambiance that ultimately results in a poetic dialogue with the ideas and feelings he expresses.
Homo Sapiens Project (200) was completed in 2020 as part of the 20th anniversary of Experimental Film Society. This eight-hour experimental feature is constituted from short film experiments made between 2000 to 2010. These films have already undergone many metamorphoses over the years. They were always restless wandering spirits seeking a permanent place of rest but so far without success. Each section of Homo Sapiens Project (200) was made under the unique condition of living out a form of subtle therapeutic practice. Collectively they reflect major life-changing events, formalistic mutations and thematic shifts within Rouzbeh Rashidi’s filmography. In spite of this, they could not find the peace of a satisfactory final shape. Indeed, they are about peace, something that rarely (if ever) exists within Rashidi’s work. But now, after twenty years of roaming the subconscious, they have come to rest in a permanent retirement in one world, one very personal floating planet.
Homo Sapiens Project (201) was completed in 2021 as part of re-envisioning and restructuring Rashidi's filmography. This nineteen-hour experimental feature is constituted from many feature films produced between 2002 to 2014. These experimental features were made as a type of test or trial experiment. Rashidi assembled the films from footage accumulated over the years, archival footage, found footage and rushes donated by his close collaborators.
A young couple, suffering from the worst imaginable form of "fear of missing out", decides to take on a tough challenge.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.