Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Baltimore's top hostage negotiator embarks on a relationship with a man who could be her soulmate while racing to resolve a case that threatens her job and her life

Six months after a breakup, Jess prepares to meet up with her ex for one last fight. A film about missing someone who hurt you, and how that is its own special kind of hurt.

High Noon tells the story of a lawman named Will Kane (Skerritt) who has just married a young bride, Amy (Thompson), promising to leave his dangerous career and settle down for a quiet life. Just as they are about to leave, word comes that a vicious killer Kane had sent to prison years earlier, is coming to town on the noon train seeking vengeance. Kane attempts to rally the town to fight the gunman, but not even his former deputy Harvey (Diamond) is willing to help. Harvey's cowardice infuriates his girlfriend, Helen (Alonso), whose romantic past with both Kane and with the arriving gunman convinces her to pack up and leave town. As the dreaded noon hour approaches, Kane realizes he must stand alone against the coming storm.

Three young boys, Rocky, Colt and Tum Tum together with their neighbor girl, computer whiz Amanda are visiting Mega Mountain amusement park when it is invaded by an army of ninjas led by evil Medusa, who wants to take over the park and hold the owners for ransom. Kids and retired TV star Dave Dragon, who made his farewell appearance at the park at the time the ninjas appeared, have to break Medusa's vicious plans.

High Noon is the meeting between the Southern Californian landscape with that of the South-Eastern landscape of Onomichi Japan as an experience of the gravitational pull towards the center of the earth, with the knowledge that we are sometimes standing on the world upside down. We briefly glimpse each landscape as a dizzying series of loops that seem to repeat themselves endlessly.

Set among the streets of Madras and filmed in real time, with unknown actors, this is a story of the complex relations between family members.

The search for Sana’s comrades continues. Sara who opens up her heart to Sinbad reveals her horrible story of how her father’s apprentice Galip destroyed the peaceful kingdom and her family by using the wizardly power. Suddenly the Magic Lamp shows the passage “to the Wonder Gate to the land of ancestors that appears in the Night at High Noon,” but Galip’s solders block their path.

A female got viciously raped and killed. Aya, the publisher of a popular journal, and the professional photographer Kajii hurry to the location of the murder to make some photos for the news. The picture is awful as the murderer had cut the genitals out of his woman’s body. Aya get a tip from a photograph published in the journal, that was used by the fifteen years old person. Kajii prospects Shun to be the killer and starts following him with the help of his girlfriend. A couple of days later the maniac hits again. A new victim is Makiko, with whom Aya had lesbian sex and relationship. Their investigation for finding the killer leads them to a playground in which the first slay has had place. But who may be this High Noon Slasher and why is killing innocent girls.

The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity

A bureaucratic chaos caused by an ink shortage.

In a school playground Figueroa, a small and lonely child, is accidentally pushed against the biggest boy of his class: Almendros. The boys around them decide they should fight, so it's decreed the two of them must face each other, outside the school, when the noon bell rings. The ticking clock will become Figueroa's worst enemy, while he has to face his fears and insecurities in order to confront his enemy just outside the school at high noon.

Pinku from 1970.

Lian Son is a Taiwanese assassin hiding in Okinawa. Yukiko works at a lunch box shop, but she has a painful past. Saya works at a public swimming pool, but is bored with her life. The solitary lives of these three people slowly intersect with each other under the bright sunshine of Okinawa.

Jinju endures her tiring sales pitch work, hoping to visit France someday. She gets a call that her sister has hurts a girl’s arm. Though she wants to dismiss it, she feels responsible and meets the girl.

A dark evening, a crime writer Peter Sander, drives through a forest when his car runs out of petrol . A little distance from the road there is a house with lighted windows, and he goes there to borrow a phone. Suddenly he trips over a tree root and sprain one foot . He lags up the forest road . Then there is a shot, a moment after running steps. A beam cuts through the dark. It goes out . The steps moves away. Peter gets up and stomps up to the house . No one responds to his knokking.

An updated version of John Mulholland’s making-of documentary that explores the remarkable 1952 film starring Gary Cooper, and the gripping story behind its troubled production. Though High Noon was originally seen as an attack on the blacklisting witch hunt gripping Hollywood at the time, it is now recognized as a damning portrait of civic complacency, democracy in peril. High Noon is today considered a classic of American cinema.

Merging the traditions of art house and splatter, Mondo Veneziano: High Noon in the Sinking City pokes fun at the bloated importance of discursive theories in contemporary art. Cast in an abandoned Venice – a derelict film set in Luxembourg, as it turns out – this short fiction relates a meeting of a curator, a theorist, a painter and a “relational” artist who appear to engage in complex theoretical debates. Their verbal confrontation – a grotesque patchwork of quotes that mocks the art world’s infatuation with sampling and referencing – is punctuated by a string of dreamlike sequences in which the stereotypical characters are seen killing each other in the best tradition of mondo films.

Former Marshal Will Kane and his Amish bride, Amy, return to Hadleyville a year after he resigned and find the town in the grip of a bounty-hunting marshal and his two trigger-happy deputies.