John Garrity, his estranged wife and their young son embark on a perilous journey to find sanctuary as a planet-killing comet hurtles toward Earth. Amid terrifying accounts of cities getting levelled, the Garritys experience the best and worst in humanity. As the countdown to the global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.

Oren (27) comes to his parents’ house to pack his belongings before moving with his girlfriend to their new apartment. During this day, out of seemingly simple interactions, the family dynamics reveals itself, and exposes the protagonist’s place- between child and adult, between intimacy and alienation. The house constitutes the space in which past, present and future mix into a chronicle of separation. Winner of San Sebastian International Film Festival short competition.

Thomas and Thomas are going through a rough patch: they are both thirty-something actors living in Paris. They randomly decide to leave the city and fly away to Kullorsuaq, one of the most remote villages of Greenland, where Thomas' father Nathan lives. Among the Inuit community, they will discover the charms of the local customs and their friendship will be challenged.

The world's largest island has been part of Denmark since 1721, but a significant majority of the 56.000 inhabitants now want independence. They feel their culture and language is threatened and is the main reason for the many suicides among young people. But the Danish speaking Greenlanders feel discriminated and want to keep the ties to Denmark. The film follows four strong young Greenlanders, who each in their own way insist on taking responsibility for the future of their country. The documentary explores the difficult balance between the right to self-determination and xenophobic nationalism. Between traditional culture and globalization.

Johan Carl Joensen, a Danish colonial manager in Greenland, drives his dog sled in Copenhagen’s Fælledparken. (stumfilm.dk)

Groenland: twenty thousand leagues on the ice is a French documentary film directed by Marcel Ichac and Jean-Jacques Languepin, released in 1952 on the expedition of Paul-Émile Victor and his team in Greenland, in 1948-1949. The film received the Special Jury Prize - scientific or educational film at the Cannes Film Festival in 1952.

In June 2013, under the watchful eye of veteran adventurer Jamie Young, a novice crew of men and women sailed from Killary Harbour in County Galway to the wilderness of Greenland, deep inside the Arctic Circle. Once there, a team kayaked 500km along the spectacular Greenland coast while another team attempted to climb unconquered towering rock-walls. Among the crew were film maker Claire Riordan and photographer Daragh Muldowney. Between them they captured the range of experiences and emotions encountered by our adventurers; from the harsh realities of life on the North Atlantic in a cramped 49ft yacht, to the heart-achingly beautiful scenery of a landscape under threat; from the vast isolation of the Arctic Circle to feasting with locals on whale blubber, walrus and polar bear stew!

A moving journey into the world of faith, hope and love of the Greenlandic troubadour Rasmus Lyberth in the run-up to – and not least during! – a magnificent concert on the occasion of his 70th birthday.

Greenland is the largest island in the world and the landmass closest to the North Pole. 80% of the country is covered by a layer of ice up to 3000 meters thick. Through the eyes of locals we get to know the authentic Greenland.

Danish documentary following different locations and situations in Greenland anno 1914. It comes around settlements, hunters, steamboats, umiaks, a kayak race, and a football match. Photographed by W. Thalbitzer.

Danish documentary filmed in Greenland. Shows a lot of Greenlanders, skiing, hunting for birds, seals and whales, and ice fishing. Filmed by Dr. Leif Folke.

Danish documentary that follows fishermen in Greenland, from the time when fishing got industrialized. The filmcrew also captures ships fighting the thick ice, meet some locals and some hunters. Also, look out for a 'cameo' by the legendary Danish polar explorer Knud Rasmussen, who played a big part in exploring Greenland. He died short after in 1933 from food poisoning. Produced by H.B. Film.

Greenland is in the middle of a process of industrial development, a stark contrast to the former way of life. In the film, which was shot in Sisimiut (Holsteinsborg), a group of Greenlandic women talk about their work and their position in the workplace, about the need to organize themselves, to stand shoulder to shoulder in order to improve working conditions and wages. The women, working as shrimp pillers, tell with bitterness, but also humor, about their lives and the double work that they have to endure. The 'royal' hand-picked Greenlandic prawns are viewed here in relation to the repeated abdominal infections the women suffer from, and their political struggle related to labor and gender.

Where is Greenland located? What does the country actually look like? Who lives there? What is life like there? The film seeks to answer these and similar questions by depicting life and nature around Greenland today, in the developing towns of the west coast, the less developed settlements of the east coast and the large Thule base in the far north. The film was intended to help placing and defining Greenland on the world map and in the minds of foreigners and Danes alike.

Everyday life in Greenland at summer time with the children in focus. There are recordings from several cities: Illulissat (Knud Rasmussen's house), Qasgiannguit (formerly Christianshåb), Sisimiut, Qaqortoq (Julianehåb), Manitsoq and Kangaamiut (formerly Old Sugar Loaf).

Having survived the near-extinction-level event of the comet's impact, the Garrity family must now leave the safety of the Greenland bunker and embark on a perilous journey across the decimated frozen wasteland of Europe to find a new home.

A depiction of the Greenlanders' everyday life and problems in Copenhagen.

Springtime in Greenland uses '50s cinematic conventions and attitudes to tell a story about the sophomoric inhabitants of a fictional utopia.

In 2010 polar explorer Sebastian Copeland and partner set a Guinness world record kite skiing the 2300 kilometers length of Greenland's south-north axis braving storms, exhaustion and complete isolation. This is the story of that journey.

With no roads connecting its coastal communities, a humble boat and its Irish crew move quietly in the background giving rare access to remote villages up into the Arctic Circle. In near 24-hour daylight, sailing by vast icebergs and sharing midnight encounters with humpback whales, we are invited into homes and communities along the way. These heartfelt interactions reveal a generous and inviting people battling to hold onto a culture that forms their identity. A hunting society turned capitalist, local hunters no longer feed their communities. As the ice disappears around them, what future beckons? Perhaps one that offers an easier type of living, but one that brings its own difficulties. This is a celebration of Greenland’s culture, a lament for a changing way of life and a yearning for a positive future for a culture facing such uncertain times.