When Sarah Marshall dumps aspiring musician Peter Bretter for rock star Aldous Snow, Peter's world comes crashing down. His best friend suggests that Peter should get away from everything and to fly off to Hawaii to escape all his problems. After arriving in Hawaii and meeting the beautiful Rachel Jansen, Peter is shocked to see not only Aldous Snow in Hawaii, but also Sarah Marshall.

For many Finns, Lenin is to thank for Finland’s independence from Russia in 1917. But with Putin’s aggression in Ukraine, citizens of the town of Kotka have to re-evaluate their views about Finland’s last remaining Lenin statue.

Takashi Hayama is a third year high school student. He falls in love with Azusa Oribe at first sight and they begin to date. One day, Azusa tells Takashi "people who meet me, forget about me several hours later." Takashi doesn't believe Azusa, but by chance he realizes that he forgot about Azusa. So he won't forget Azusa, Takashi begins to leave a note for himself and Azusa.

1. White skin beauty, obscene gestures When I get thirsty, I spill the milk next to me. An unknown man begins to caress her body, sipping off the white liquid flowing through Chaerin's body. 2. Indecent gestures of a big breasted woman Sexy gestures of South Korea's representative adult actor Soo-hyun Seduces the returning body actor Yong Pal with her whole body. Just looking at the tights worn on the legs that have fallen well excites the dragon.

'Kamias' weaves images of the artist's family and personal life with a strong, if not sad, narrative thread. In concise, poetic narration, Khavn takes us deep into the psyche of a young artist.

Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Nathalie is together with Antoine, who really loves her, despite her tendency to get away from him. Eric, the former partner of Nathalie, does not want to be with her anymore, but she can not accept this. In her despair, she tortures herself, Antoine, and Eric.

This short film is a captivating mix of emotions, genres, and tones, deliberating on love in the age of social media. Within the chaos that daily life supposes, the paths of two couples merge during an afternoon, embarking on a narrative and style hybrid that puts the need to love and the fear of commitment on the table. Memories, friendship, and disappointment converge in the drama of four millennials, forming a labyrinthine exploration of love.

Why do you want acceptance? If it's not going to happen, then forget about what it was you wanted acknowledged and just have some soup, like always.

People are gathered in a tea shop that no longer is able to serve tea as the country is blocked from importing tea. The coalition forces are bombarding all places. Lack of tea has given people headaches. At last, the representative of the coalition forces brings them an offer if they accept their requirements. This short film symbolically narrates the story of annexing Southern Kurdistan to Iraq in 1921.

The film is made with the Surrealist game ‘exquisite corpse’ as its core methodology. Pictures are. . . drawn repeatedly. After several days [he] forgets the images he has drawn himself. Through the accumulation of coincidences and contiguities the act of ‘combining the forgotten images together’ generates interstices, and finally this play gets its own rhythm and opens itself like a window through with the sunlight streams.

Dream and memory of two sisters meet, as one grieves for the death of her sister while the other tries to let go of her memories.

Experimental film on 16mm by Ioan T. Morar as part of Kinema Ikon.

Young Chinese parents Chen Xuesong and Cai Weihang find their marriage eroding as they deal with financial troubles, jealousy and constant bickering. When Weihang finds a photo of Xuesong and her ex-boyfriend, things spiral out of control.

It is a visual record of long-lasting open wounds, Chinese medical progress, and the disappearance of memory. This documentary examines the current plight of a small group of elderly Chinese peasants who have been suffering from open wounds for over 70 years. The director visits some elderly surviving soldiers of Unit 731 – a WWII Japanese secret unit devoted to biological warfare.

The film documents a filmmaker’s experience with his father’s death due to Alzheimer’s disease. Taken from a personal perspective, the filmmaker gives a first-hand look at how his family dealt with his father’s worsening Alzheimer’s disease and eventual death, leading him to realizations about memory, familial relationships, and his own mortality. The film delves into the importance of memories in the human experience – how the ability to remember makes us feel alive, how its power can hold us, and how memory gives us what we need to feel and be human.