A fluid blend of digital and analog forms, Flux is a visual poem musing on all things water: from the swelling waves, to the rigid ice, to the gaseous forms of our galaxy. Changing states, mutable forms and flowing associations invite the viewer to relieve their mind and let their spirits float along for the ride.

1996 short film

A dancer wakes up in a dream world where strange characters lead her to a fateful dance.

Samantha is an 18-year-old girl who, in the middle of a move, experiences a flashback of memories and is reunited with her imaginary childhood friend, Flux. Between waves and cardboard boxes, she passes the farewell with herself, with what surrounds her and with the tide.

Animated short film by Christopher Hinton.

FLUX is about creating a space between now and then. Exploring the dynamism of emptiness in a realm where time and space are altered. Past, present and future are considered in the gaps in-between, blurring the boundaries between fact and fiction. Expressing emotions, ideas and concepts through literal and abstract imagery, through the creative use of editing and sound design incorporating Irish Sean Nós song. Characters emphasize the fragile and emotional states of mankind, with prominence on dreamscapes and mindscapes. An oneiric land cinematically beautiful and psychologically disturbing. A world that explores significant topics such as death, loss, love, isolation and mental-fragility.

A letter, a girl and three strange events.

Inspired by scores, propositions, and performance actions of Fluxus-era artists, Killacky performs his own gestures based on their instructions and prompts.

‘Flux’ is an experimental short film and music video by UK artist DFTCNT. 'Flux' delves into a human mind drowning in external chaos and inner crisis. Lost in a surreal, consumer driven world where clickbait tribalism and identity games dictate, the characters are left to vent a collective wave of simmering rage and collective turmoil. As the drum beat rises and mob war unfolds, an urgent new energy ascends as the final catharsis awaits.

A collaboration between Reha Erdem and Deniz Tortum.

Peter Tammer’s personal diary film contrasting the comfortable suburban life of his family to that of his father-in-law, an Austrian Jew who emigrated to Australia after World War II.

In Flux, Steina films a river from a wide angle, deforming the image to the point of creating a sort of radiating, aqueous ball - like a liquid planet turning in space. Steina alternately shows fairly rapid shots, always taken at a very wide angle, which film the river once in one direction and then once in the other; she thus obtains a simple visual and very efficient equivalent of the energy of the water. The close succession of the shots, like the use of the reprocessed soundtrack of running water, are all variations on the texture of the aquatic substance. Under the façade of a work far removed from realism, Steina in fact offers a work that is in total contrast with the traditional images of running water, but, with her video vision, comes very close to literary and pictorial visions of romanticism. She manages to translate the entire mythology of water into images without using narrative or symbolism, but by simply using the possibilities provided by her camera and machines.

The spaces between memory and perception, dream and waking reveal themselves on the film surface. Glimpses, impressions, momentary clarity shifts to obscurity and afterimage. This is a film about film, a film that is process-oriented and takes its time. Finding a language without speech, communication is possible by other means.

Animated plant-like shapes, rooted in a barren desert-like landscape, wave and move in time to music.

A short animation of a transforming red shape, inspired by the works of Ilhan Koman.

Flux is the conduit for transference of energy.

On a crowded beach in Greece, during the summer, the bodies of two refugee women wash ashore. Elli, a young woman with her dog, witnesses the harsh reality and decides not to look away.

400 years into the future, disease has wiped out the majority of the world's population, except one walled city, Bregna, ruled by a congress of scientists. When Æon Flux, the top operative in the underground 'Monican' rebellion, is sent on a mission to kill a government leader, she uncovers a world of secrets.

At an institute devoted to culinary and alimentary performance, a collective finds themselves embroiled in power struggles, artistic vendettas and gastrointestinal disorders.

Léo and Kaspard, a young couple, live in Nanterre. Léo is fed up with Kaspar's reproaches and takes to social networks to make their love story public. Their breakup marks Léo's departure for Berlin, a city where he hopes to be reborn through contact with an alternative milieu. But the city's real estate speculation pushes Leo to the margins. Years later, Kaspar's biological daughter, raised by a couple of women, recalls this love story on a theater stage.