An ambitious Hollywood hustler becomes involved with a reclusive female star, whom he tries to lure out of retirement.

Fedora swears to avenge the death of her fiancé, Prince Yarischkine, killed by Ipanoff who fled to Paris. She finds Ipanoff whom she falls in love with and he confesses to having killed her fiancé because Yarischkine was his wife's lover. But learning that her brother was executed because of Fedora, Ipanoff leaves her. Fedora commits suicide.

This film relates the story of Russian Princess Fedora (Louise Ferida), in Czarist times, whose royal lover is assassinated on the eve of their marriage. She pledges vengeance, only to become the victim of her vow when she falls in love again.

An Italian melodrama. Only the final reel survives.

Princess Fedora, who is to marry the Count the following day, arrives and sings of her love for him, unaware that the dissolute Count has betrayed her with another woman. The sound of sleigh-bells is heard, and the Count is brought in mortally wounded. Doctors and a priest are summoned, and the servants are questioned. It is proposed that Count Loris Ipanov, a suspected Nihilist sympathiser, was probably the assassin. De Siriex (a diplomat), and Grech (a police inspector) plan an investigation. Fedora swears on the jewelled Byzantine cross she is wearing that Count Andrejevich's death will be avenged.

In May 2016, a new museum dedicated to Palestinian history and culture opened in Ramallah. Inaugurated with no exhibition, the museum remained empty for several months until a first exhibition devoted to Jerusalem was organised. The film takes place over this transition period, during the construction of a dream city, in sharp contrast with a political reality that makes the future prospects for a Palestinian State increasingly hypothetical.

The old Fedora so launched a household that all housewares and tableware were angry at her and decided to leave the house.

In retracing the making of FEDORA, Robert Fischer’s documentary SWAN SONG: THE STORY OF BILLY WILDERʼS FEDORA adds yet another layer of comment and reflection on the film’s very own subject matter: 35 years after playing the romantic leads in FEDORA, Marthe Keller and Michael York look back at working with Billy Wilder – and their careers. Additional testimonies come from acclaimed cinematographer Gerry Fisher, producer Harold Nebenzal, Paul Diamond (son of Wilder’s writing partner I.A.L. Diamond), and German actor Mario Adorf.

This segment told the romantic story of two hats who fell in love in a department store window. When Alice was sold, Johnny devoted himself to finding her again. They eventually, by pure chance, meet up again and live happily ever after together, side by side. The Andrews Sisters provided the vocals. Like the other segments, it was later released theatrically.

Fedora King and The Fez Prince face their biggest foe ever ... Fedora Hunter.

Based on Rosetta Cucchi’s new staging of Umberto Giordano's Fedora at Teatro Carlo Felice, Ipanov bears witness to incessant survivor guilt, unable to escape restless remembrances of his ill-fated family and strongest regrets – betrayal, disgrace, loss and abandonment.

Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidante, and baritone Artur Ruciński is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.

A rabbit is told by his mother to watch out for his baby brother Elmer while she's out of the house, but a wolf has other plans for Elmer after he hears the older brother sing "My Green Fedora."

A long time ago, Prometheus was cursed by the God's for bringing fire to mankind. Today, Fedor finds himself in Moscow for the first time and falls in love with Masha.

The story of the tragic love of Count Loris Ipanov, a Russian nihilist, for the Princes Fedora Romanov.