Iris is a shy and dowdy young woman stuck in a dead-end job at a match factory, who dreams of finding love at the local dancehall. Finding herself pregnant after a one-night stand and abandoned by the father, Iris finally decides the time has come to get even and she begins to plot her revenge.

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

Hiyam, a young factory worker, lives in a lower-middle-class neighbourhood, along with her co-workers. She is clearly under the spell of Salah, the factory's new supervisor. Believing that love can transcend their class differences, Hiyam relentlessly pursues a dream of the pair being together. However, when a pregnancy test is discovered in the factory premises, her immediate family and close friends accuse her of sinning. Hiyam decides not to defend herself and pays an enormous price in a society that fails to accept her.

During the Japanese colonial period, 22 Korean female workers were forced to work in a spinning mill in Osaka across the sea to support their families. Despite facing discrimination and violence, their testimonies and life-affirming songs of victory have endured.

After Azusa witnesses a rape at her previous job, she takes a job at a steel factory in a desolate part of town. Her co-workers hate her and her only friend is a young girl, Naomi. A security guard sexually abuses Azusa and Naomi disappears under mysterious circumstances. While the mystery surrounding Naomi’s disappearance deepens, Azusa finds a clue and the stage is set for a climactic showdown at the factory.

This film focuses on Koreans living in Japan. The filmmaker’s humanism comes across in the portrayal of a girl living in a shabby tenement, the warmth of a Korean girl she meets, and the friendliness of this Korean girl’s family.

A famous racing driver must give up his sport and take over the management of the porcelain factory on incentive of the vigorous grandmother as the last shoot of an old businessman's family. Unrecognized he is regulated as a worker what a love story with a 20-year-old worker arises from, who leads after incidents in the happy end. - After Franz Lehar's operetta produced comedy

The fifteen year old Maruska (Lenka Korínková) starts as a new staff in the porcelain warehouse. For the boss Svetla (Míla Myslíková) it is the last straw. She asked to extend her staff consisting of four girls and a retired lady by a man, not a child. The kind and ever fussy Svetla, battling in vain with overweight decides to leave her position and to take another one in the office. As soon as she finds out that the position will be taken by Arnost Jarolím (Josef Langmiler), she insists on a hand over inventory.

The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.

This story begins with a photo taken a century ago during the colonial era. The director goes to Yeongdeungpo with a camera to find any trace or signs of factory girls in the photo. There are no large factories anymore, only apartments, department stores, racetracks, inns, steel factories, restaurants, unidentified places, or empty ruins. Through the lives and landscapes of Yeongdeungpo, the director wants to discover any traces that factory girls might have left.

Natsumi (Ai Takeuchi) is forced to work in a steel factory in order to pay off a debt, a factory notorious for employing women with "dark pasts" as slave labor. Tsukada, Chief of Security places Natsumi in a team of four women led by Atsuko(Nagisa Umeno). When one worker fails to follow instructions, Tsukada rapes her, and Natsumi is next on his list. Natsumi tries to fight the insanity, but is hindered by managing director Hideko and factory president Kamiyama. It is up to Natsumi to take on the evildoings of the factory.

Krisztina Szabó. 27 years old. A conserve factory girl. She desires a different kind of life. Something really big needs to happen. The only chance of making it come true is to play the lottery, or collect points in any kind of consumer competition. She often sings her favourite song.

After an embarrassing game, Shuko, full of rage, accidentally gives a prodigious kick to a ball that leaves everyone speechless. The coach of the Futsal team looks at her and convinces her to join the team, not only to get him out of his mediocre position, but with the intention of aspiring to the National Championship of Women's Futsal Institutes and save the Tameeda campus. Would Shuko manage to repeat the prodigious shot or was it a filly? Will it fit in well with your new teammates?

A woman goes to New York to become a nude model.