A personal, visual essay about gender transition - focusing on the social context and implications and exploring how the world is different living as female compared to being perceived as male. Jack tells his story by using and reframing gender focused tropes and imagery from popular culture, mythology, history and art.

The sailing of the boat Everyman into the Pacific nuclear testing area as protest. John Adams and guitar.

A man, drunk and desperate, searches for a connection. A field recording, dramatised.

Community-oriented film project following someone who thinks his name is Michael as he struggles with the pains and pleasures of waking up as different people everyday. Within an unexplained universe he searches for connection, purpose, and cigarettes, propelled all the while through the idiosynchratic narratives of different people's lives

A salaryman's drunken ravings in public attract the attention of journalists who coerce him into telling them his life's story.

No one in high command believed that German forces would attack in the sub zero temperatures and near blizzard conditions. As the pre-dawn attack comes, with communications down Sgt. Smith is left with no choice but to make his way through enemy fire, unarmed and wounded, into town and warn of the coming attack. Based on actual accounts "Everyman's War" explores the heroic events of this decorated veterans courage and the struggle between duty and desire. Between the prospect of the life and love, Dorine that waits at home and the harsh realities of war which marks the pivotal epoch in his life as he discovers that the loss of hope can be worse than the loss of life. One man's courage... One man's hope...Everyman's War.

Everyman (German: Jedermann) is a 1961 Austrian drama film directed by Gottfried Reinhardt, based on the play written by Hugo von Hofmannsthal. The film was selected as the Austrian entry for the Best Foreign Language Film at the 34th Academy Awards, but was not nominated.

In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.

Bert Haanstra paints a portrait of The Netherlands and the Dutch, in his own unparalleled manner. Partly with the aid of a hidden camera he observes people in the most diverse situations. He shows the unusual in the usual and the usual in the unusual. The harsh years of the post war era of reconstruction have passed and for most people life is better than before.

Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco).

Based on several medieval mystery plays, including the late 15th-century English morality play "Everyman". The premise is that the good and evil deeds of one's life will be tallied by God after death, as in a ledger book. The drama is the allegorical accounting of the life of Everyman, who represents all mankind.

Direct Cinema study of the first Norwegian Climate Lawsuit and the hard hitting Supreme Court ruling. In this case environmental organizations sued the Norwegian state over petroleum lisencing in the Barents sea.

Is it possible to get close to someone who sees their sole task in life in losing themself in the parts they play? How can a film portrait be created when every image only contributes to further fictionalization? Who is facing each other when the line between fact and fiction becomes blurred? Katharina Pethke looks back to dissect the past and her contradictory feelings for the celebrated actor Philipp Hochmair, following the lines of her own artistic and personal doubts.

A moving illustration of Julian Tuwim’s poem of the same title. A manifesto that uncovers the techniques of political propaganda.

A vagabond travels through medieval Holland.

Follows the real life rock-n-roll fairy tale story of Filipino Arnel Pineda, who was plucked from You Tube to become the front man for iconic American rock band, Journey, thereby becoming the latest performer to go from the Internet to real life celebrity. Having already overcome a life full of painful obstacles and now saddled with the immense pressures of leading a world renowned band and replacing a legendary singer, the film follows Arnel on this personal journey.

Jack Lemmon made over 60 films and received numerous awards, including eight Academy Award Nominations and two Oscars. Later in life, his achievement was enriched by new challenges in which he exposed the vulnerability and emotion of the later years as few had dared. He reveled in his ongoing screen partnerships with directors like Billy Wilder and stars like Walter Matthau. Narrated on-camera by Jack Lemmon, this documentary includes interviews with Lemmon's son, the actor Chris Lemmon. Also appearing are such legends as Jack's life-long friend, the writer and director Billy Wilder, writer-director Garson Kanin, drama teacher Uta Hagen and actor Gregory Peck.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

The story of Ethel Armstrong and her father Henry looking forward to her marriage to the ambitious attorney Bruce Steele. Bruce is elected district attorney and goes after a group of food profiteers. Ethel breaks the engagement when her father falls under suspicion as one of the food hoarders.

This tape focuses on the nature of urban development in Chicago, the centre of American architecture. We encounter three people who relate some of the hard realities of life in the city, through a haze of historical and cultural phenomena.