It is a warm afternoon in Mexico City; Cornelio and Fabiola are finishing their workday. While they pass through different points of the center and Cornelio narrates the world to Fabiola - In the spaces of silence-; a game of love and intimacy is revealed.

This group of films is brought together by their intention to imagine that which is "outside". Something extra cinematographic, extra artistic, extra linguistic. In these "outside" the question of immanence arises, endowing the film with a quality to become a sort of cave instrument. The mountains, the plants, the clouds. The beams of light on the ground, the murmur of the river. The scratches, the mystery of the underexposed, the stalking of silence. This game of the pre-human from the human, or the pre-cinematic from the cinematographic, seems here to be constituted from a ritual of intuition, observation and/or luck. Possible, but incomplete. The sharpness of these stagings perhaps lies in their questions about the most appropriate material for their plastic art: the effect of time on man. - Carlos Renteria

Donald is travelling the countryside and decides to rest for the night. He refuses to stay at the motel because of its $16 fee so he sets up camp in a woodland area. First he has problems blowing up the air mattress, then by a troublesome boulder, and finally after the air mattress is blown up, it deflates sending Don riding through the air back to the motel where it is presumed he changed his mind and slept there for the night and must pay the $16.

An animated documentary about the space being occupied by religion in the Universe.