Author Jean Dorset has suffered from a bad case of writer's block since his first novel became a bestseller. He lives in a small apartment in Paris with his wife Michelle and, in spite of their ostensible success, the couple are having trouble making ends meet. One day they receive the utterly unexpected news that they are the sole inheritors of a wealthy neighbor, M. Guillemet, whom they have never met. Guillemet has left them his old townhouse along with all of his belongings, but with two conditions -- the first is that the dead man's papers be left untouched, and the second is that his live-in maid Clemence Richbourg remain employed at the estate. The Dorsets soon learn why they were the recipients of such strange generosity. Guillemet had set up a camera with a massive zoom lens pointing to their bedroom window. The couple is shocked and disgusted, but not enough to give up their new tony digs.

Antoine lives with his father Gaston. The latter is a voyeur and keeps his son at home through emotional blackmail. Gaston is forced to make a financial agreement with the neighbor across the street, Goran, in order to be able to continue watching Dune, his girlfriend. Antoine meets her and runs away with her.

Documentary about French territory: gentrification, disparities, difficulties...

Thanks to the work of researchers in social geography, economics and contemporary history, Jean-Robert Viallet left for a year on the roads of France. The picture he draws redraws the social geography of France.

A man of integrity, Monsieur Pic is the accountant beyond reproach of the Banque Universelle. He would not dream of doing anything wrong and everybody knows it. He is therefore justly indignant when a wealthy woman offers him the position of administrator in the whorehouse she is opening soon. But only fools never change their minds and if Monsieur Pic finally accepts the position in the house across the Banque Universelle, he has three good reasons for that: first he does not get the promotion he deserved ; second, his son Albert is hired by Madame Anna as a decorator ; third, Hortense, his daughter has expressed the wish to "work" there too. The good point is that, once in the place, Pic will be rewarded for what he is worth. Even more important, the unfortunate father will be able there to keep a close eye on his two wayward children and protect them from temptation.

While observing life outside his shop, a barber thinks he sees someone who is after his life and his family. Confronted with imminent danger, the barber decides to react.

Famous writer, Marat retires to Portugal, where he lives surrounded by his family, including his wife Genevieve. When she learns she is diagnosed with cancer, she tries to hide the truth. But Marat doesn't take time to know.

In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.

Tensions mount as the lonely wife of a trucker becomes involved with a gas station attendant.

For this film, Okuyama made a camera with two lenses.

One of the lenses films the filmmaker from behind while the other films him from the front.

He thus obtains two images of him, superimposed on the same film.

In a big isolated house, Mikael, a musician, is composing a psalm. A young woman, Linda, comes to retreive a suitcase belonging to Sébastien, her companion and Mikael's friend. It contains hundreds of photographs from all over the world. While he is travelling, Sébastien has asked Linda to organise the photographs with a view to an exhibition. Mikael invites Linda to reside with him. She accepts. That is the heart of the film – an intertwining of photographs which, juxtaposed by Linda, begin to speak. In parallel with this, Linda receives cassette-letters from Sébastien. A subtle relationship is established between Linda, the young debutante, and Mikael, the man of experience. Mikael goes off to direct his psalm, Linda stays alone. The walls become covered with photographs – wall of happiness, wall of misery – the fight between Good and Evil. Linda learns of the accidental death of Sébastien and stays alone.

A young student visits the home of a friend who has all the good looks, women and luck. Every day, through binoculars from his friend's window, he sees a young girl in front of her home. Although attractive, the woman's face has been badly scarred. He finds out her phone number and the two engage in pleasant conversation. He gets up enough nerve to ask to meet her in person, but the socially inept young man becomes paralyzed with fear. He again summons the courage to meet with her before he is plagued with fear once again.

A single mother in a custody battle finds an unexpected ally in her reclusive landlord-neighbor.

In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. But someone — or something — from the surrounding woods appears to be stalking her, and what begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears.

Dating coach Alex 'Hitch' Hitchens mentors a bumbling client, Albert, who hopes to win the heart of the glamorous Allegra Cole. While Albert makes progress, Hitch faces his own romantic setbacks when proven techniques fail to work on Sara Melas, a tabloid reporter digging for dirt on Allegra Cole's love life. When Sara discovers Hitch's connection to Albert – now Allegra's boyfriend – it threatens to destroy both relationships.