Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

The plot of Die Fledermaus is woven around a ball given by Prince Orlofsky.

Produced in 1944, finished and released in 1946.

After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.

Live performance from the Metropolitan Opera, 31 December 1986.

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

Film by Karel Lamac.

Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

Teen half vampire Dakaria falls in love with rock singer vampire Murdo. Dakaria, her friends and family have to face vampire Xantor who has dark plans.

"Die Fledermaus" (The Bat) is an operetta by Johann Strauss II, also known as "The Waltz King." The new, extraordinary and delightful musical by Kairi Hokusho and the Star troupe breathes fresh life into a work with many a famous song and adoring fans around the world. It is the late 19th century in Vienna. Dr. Falke, together with his good friend, the Marquis Eisenstein, is attending a costume ball hosted by Empress Elisabeth. On the way home, Eisenstein is at a loss over what to do with the intoxicated Falke. He gets carried away and ties up Falke along an avenue. The doctor is stuck there all the night. Falke, trapped in his bat costume until the morning, becomes the laughingstock of the city and earns the nickname "Dr. Bat." He is unable to contain his anger, and to give Marquis Eisenstein a taste of his own medicine, Falke comes up with a plan for sweet revenge. Savor the gamesmanship between masterminds in a musical featuring a unique cast of characters.

As in every year, in 2016 a major opera production took place at Düsseldorf’s Robert Schumann Hochschule in collaboration with the Deutsche Oper am Rhein. This year the operetta Die Fledermaus [The Bat] by Johann Strauß was produced.

Theodor Guschlbauer conducts the Chorus and Orchestra of the Vienna State Opera in this lavish staging of Johann Strauss's operetta. Recorded in 1980, the production features some of the leading performers of their day, including Lucia Popp, Edita Gruberova, Bernd Weikl, Walter Berry and Brigitte Fassbaender.

Facing a short term in prison, wealthy Eisenstein heads off to a masquerade ball to enjoy his last evening of freedom. But Eisenstein's wife, Rosalinde, and her chambermaid Adele show up to the costume party in disguise, and each try to teach him a lesson or two. This revival of Johann Strauss's operetta performed by Opera Australia stars Anthony Warlow and Ghillian Sullivan.

To avoid serving his prison sentence, a fashionable socialite sneaks off to a lavish party. The champagne flows as guests waltz the night away, but several of them have something to hide. This internationally renowned production by Otto Schenk takes the audience on a bumpy ride through all kinds of intrigues, clothing mix-ups and mistaken identities, until we finally reach a rather hung-over happy ending. Conducted by Franz Welser-Möst and streamed on Strauss’ birthday, this performance is part of OperaVision’s events celebrating the inaugural World Opera Day on 25 October 2019.

Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.