Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon, though, the tenderfoot finds out life on the range is neither what he expected nor what he's been looking for...

Real estate agent Christian travels the countryside scouting for investment prospects. In a forgotten, seemingly abandoned village far off the main roads, he finds more than he is looking for. Getting entangled in an encounter with a taciturn teenage farmhand, he confronts his sexual frustrations and, in the process, gets drawn into the undergrowth of a bloodthirsty rustic community.

Cowboy is a 1966 American short documentary film directed by Michael Ahnemann and produced by Ahnemann and Gary Schlosser. At a ranch in Tehachapi, California, a husband and father lives the life of a modern cowboy. The film was nominated for an Academy Award for Best Documentary Short.

When Felix steals a leather jacket in a hotel, he bumps into Bianca. She confuses him for a callboy she booked and Felix decides to play along.

A man from the city returns to his small home town in the countryside to live like a farmer. He finds couple of friends among the locals, but people running the town want his land.

Kay wants to be a singer. Dee wants to be a rodeo rider. Their two worlds collide.

Lost in the urban jungle of Manhattan, Cowboy discovers that sometimes things aren't always what they seem.

A maverick comes to the aid of a woman whose flight from an unhappy marriage has stranded her in the desert.

In a few days Minas is going to participate in a TV show called "Talent of the year". A TV crew follows him in his everyday life interviewing him and his closest people, until the big day of the show. Minas must win to fulfill his dream. What is his talent? He is a cowboy. In Athens.

COWBOY is a film that questions masculinity today, has masculinity been changed over the years? Is the idea of masculinity still the same?

The film uses the most cliché "manly" characters in film history, cowboys and follows them as they wander through Brussels.

Cowboy uses the images from American cinema to expose the country’s settler colonial structure and its ability to depict genocidal acts through camera framing. The film, directed by the renowned Egyptian film critic Sami Al-Salamoni, reflects his theoretical critique of Hollywood through heavily edited scenes and shots from mainstream motion pictures. Al-Salamoni manages to take the audience through the history of commercialized image production towards a transnational solidarity image production as a response. This film was recovered as a part of a cache of archival films about various aspects of the Palestinian liberation movements that were found in Tokyo and therefore dubbed the “Tokyo Reels.”

The year is 2071. Following a terrorist bombing, a deadly virus is released on the populace of Mars and the government has issued the largest bounty in history, for the capture of whoever is behind it. The bounty hunter crew of the spaceship Bebop; Spike, Faye, Jet and Ed, take the case with hopes of cashing in the bounty. However, the mystery surrounding the man responsible, Vincent, goes deeper than they ever imagined, and they aren't the only ones hunting him.

When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage; however, neither Andersen nor the boys know that a gang of cattle thieves is stalking them.

This time, the rivals team up to help a cowgirl and her brother save their homestead from a greedy land-grabber, and they’re going to need some help! Jerry’s three precocious nephews are all ready for action, and Tom is rounding up a posse of prairie dogs. But can a ragtag band of varmints defeat a deceitful desperado determined to deceive a damsel in distress? No matter what happens with Tom and Jerry in the saddle, it’ll be a rootin’ tootin’ good time!

A stranger stumbles into the desert town of Absolution with no memory of his past and a futuristic shackle around his wrist. With the help of mysterious beauty Ella and the iron-fisted Colonel Dolarhyde, he finds himself leading an unlikely posse of cowboys, outlaws, and Apache warriors against a common enemy from beyond this world in an epic showdown for survival.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

When Sven provokes a fight after an evening out in Amsterdam his best friend ends up in a coma, and nothing is the same as before.

Last night, Brokeback Mountain aired on TV, Vincent watched it and found himself emotionally compelled by the story. Whilst chatting with a classmate in the school toilets, he takes advatage of the break to describe the film as only an adolescent can.

After moving to Pasadena, Texas, country boy Bud Davis starts hanging around a bar called Gilley's, where he falls in love with Sissy, a cowgirl who believes the sexes are equal. They eventually marry, but their relationship is turbulent due to Bud's traditional view of gender roles. Jealousy over his rival leads to their separation, but Bud attempts to win Sissy back by triumphing at Gilley's mechanical bull-riding competition.