After some years of tension, Richard begins a sexual relationship with his sister Natalie. Now married, the relationship proves dangerously obsessional.

Adapted from same-name popular manga. Hyeon-woo is visually impaired but always listens to people. Then one day, Chong-soo comes along and talks about the murder that occurs in his book. However, the murder in the novel becomes real and Hyeon-woo is getting more and more scared! Who is responsible for the serial killings?

“Close your eyes. What can you hear? What are you thinking? What do you feel at this exact moment? Where are you? With whom, and why?” This fantastically shot portrait provides insight into the inner life of a young woman due to undergo an operation in unconventional imagery that is both dreamlike and yet true to life.

A former teacher, who reforms dropout students with Confucian teaching, decides to take care of a blind girl, who has been abused by her parents.

A postal worker is suspected of committing a robbery at the rural office where she works alone.

Since her parents divorce Allison continues to hold on to her memories and dreams. In doing so, she herself stands in the way of a life in the present.

A teenage girl believes she never dreams, or otherwise doesn't remember any of her dreams; apparently, they are too dull to be worth keeping. But in the course of a single day at home, time will pass like a dream. And when she opens her eyes, she will find that her waking life, outside the world of her empty dream state, is a much lovelier place to be in.

When I Close My Eyes explores, through the eyes and senses of a 7-year-old girl in New York City, the digital age's homogenizing effect on women and the omnipresent spirit of nature. With a highly developed intuitive, imagination and ability to connect, she navigates a home life in which her mom and sister are unavailable to her, removed physically and emotionally from the present.

A film journey through places near and far, real and dreamy, on the border between reality and fiction, where it is possible to learn how close the realm of the invisible lies and to contemplate whether it is possible to approach the invisible through film. Guides on this journey are various explorers who present their elusive experiences with researching and capturing imprints of the invisible – former filmmakers, a forgotten film movement, a local history expert, a mountaineer, a professor, and the director, Lea Petříková, herself. But the more they reveal, the more complicated it gets.

This video focuses on three contemporary Vietnamese men, dressed in Vietnam War-era uniforms, as they watch a recording of the historic televised suicide of Hòa thượng Thích Quảng Đức, the Vietnamese Mahayana Buddhist monk who burned himself to death at a busy Saigon intersection on June 11, 1963, an act of protest that shocked the world and ultimately led to the demise of the American-supported Diem regime. The video is structured, shot for shot, after the pivotal mental breakdown scene in Ingmar Bergman’s 1966 film PERSONA.

Following the kids of Mith Samlanh/Friends International as they unflinchingly tell their simply stories, this film consists almost entirely of the children talking about themselves, their lives, their hopes and their dreams.

A Sunday walk in a forest turns into a poetic journey on perception.

An experimental narrative about sadness, loss, internal battles and those we love.

now i close my eyes the world i see is so beautiful samples lines from Taiwanese New Wave film Yi Yi, in which a young girl speaks to the ghost of her grandmother. These intergenerational whisperings inspire April Lin to follow their own adventures with their grandfather, pondering how ancestors and descendants create bridges across time, and if you’re diasporic – across global space.

Hiroko attends the memorial service of her fiancé, Itsuki Fujii, who died in a mountain-climbing incident. Although Itsuki's mother says that their old house is gone, Hiroko records the address listed under his name in his yearbook and sends him a letter. Surprisingly, she receives a reply, and discovers it came from his old classmate, a girl who also happens to also be called Itsuki Fujii.

The isolation of Adela and Marcelino is common among many inmates processed without an interpreter in their native language before the Mexican justice system. Through their subjective experience, the dreams and memories they preserve of their lands in prison, they express in two voices the disorientation and the need to resist against exclusion by telling their story.