The social anxiety of a morbidly shy Ecuadorian dishwasher working in a Queens diner provides the psychological engine that powers this blend of drama and magical realism.

In California, a group of women struggle with personal problems as their paths intertwine in unexpected ways. Dr. Elaine Keener, the sole caretaker for her aging mother, turns to tarot card reader Christine for spiritual aid. Christine grapples with her own angst due to her lover's debilitating illness. Meanwhile, a bank manager deals with an unwanted pregnancy, two sisters pursue romantic interests and a housewife gets back into the dating game.

A man and a woman are walking in Rio de Janeiro. They're in love. Part two of a trilogy

Filmmaker John Smith revisits the original locations of his seminal experimental film The Girl Chewing Gum (1976) after 35 years, using superimposition to compare now to then.

A robbery is prevented by an undercover art dealer pretending to be a criminal. Edited from TV series, The Baron.

A man wonders around a strange field looking for sheep

Figment needs Todd and Dhara to help him. He is on a treasure hunt, looking for the "Bookus Dragonius," which contains all of the world's wisdom. The book was hidden by his Uncle Max (The Reluctant Dragon) who loved word play, puzzles, and anagrams. Together they find many clues left by Uncle Max: rhyming clues, anagrams, puzzles, books, brain-teasers, and a rebus are all part of this mystery. They solve these clues—and then finally figure it all out.

At age 50, after a 23-year marriage to a man, Jan sets out on a journey to discover what it means to be lesbian.

Air is visible only in the things that it moves: in wafting curtains, billowing meadows, or swaying trees. Supported by Susanna Gartmayer’s bass clarinet compositions, Karin Fisslthaler composes an abstract experience from dynamic images that make the wind visible, audible, and perceptible in its essence—as a warm wave, as swirling chaos, as icy, whistling storm.

A young man struggles to keep his family afloat after a back injury.

An experimental journey to Psycho (1960).

The Plot focuses on Dante Alighieri, a young man who loves smoking. When his father dies Dante inherits $17 million on one special condition: He must give up smoking in 14 days and then stay smoke-free for an entire year. If he fails, his uncle inherits the $17 million instead. Dante has a living hell while trying to quit, and hires a private detective agency called Little Secret Service who he gives free hands to stop him from smoking, While his uncle, who has taken up smoking himself, also does everything he can to make Dante smoke again.

An interview with director Jan Troell, conducted by critic Peter Cowie, on his epic Oscar-nominated masterpieces, The Emigrants (1971) and The New Land (1972).

At the heart of the movie - true stories about separations and meetings, about search of relatives, the proceeding many years after war.

A police office in Algiers sometime after independence. Mr Rachid, father, around fifty years old, former colonial official transferred to the cinema annex library. Mr. Rachid, disappointed and exasperated by his sad life, faced with an inspector who questions him, tries to explain: why did he kill his former department head after a long night of wandering?

Experimental film by Shuichi Inohana.

1854 the young scholar Choe Che-u 10 after going around the period world, It attains Nirvana from hometown. From 1861 June Choe Che-u it makes the future start toward the people who is poor it becomes, The nation confusion was respects the person in time and it propagates the sample attention ideology. But 1863 it is after 4 years, Choe Che-u where it receives the aircraft carrier that it is arrested in the December 10th police officer Jung Un-ku to do and is made to encounter a torture from the prison of Daegu and…

During her holidays on her own on the Costa Brava, the wife of an important Parisian industrialist meets the young student, Andrés, her first and true love, and she decides to leave her husband.

"Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability." - NYFF

Boutheyna Bouslama remembers her holidays in Syria in the summer of 1994: a boy offered her an armful of cherries. He was called Oussama. Twenty years later, his name appears in the credits of Return to Homs by Talal Derki, programmed in Istanbul. The childhood friend has become “the man with the camera”, a “media activist” documenting the demonstrations and their repression by the Assad regime, until his arrest in 2012. The filmmaker sets off in search of the man whose name features on the list of the 70,000 forced disappearances that have occurred since the beginning of the conflict.